60" H x 40" W x 3" D
Shirley Temple | Keith M. Francis
Shirley Temple by Keith M. Francis. A 2026 archival giclee print on Hahnemühle Photo Rag Bright. Investigating American innocence, Shirley Temple examines the erosion of manufactured optimism, using a crushed, weathered aluminum beverage can as a lens to interrogate American consumerism, mass media, and disposable culture.
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Sins of My Forefathers | Keith M. Francis
Sins of My Forefathers by Keith M. Francis (2022–present). Archival digital prints on Canson Rag Photographique II (13" x 19", matted to 16" x 20"). Recontextualizing public domain glass negatives from the Library of Congress to examine monumental statuary, historical legacy, and national memory.
Soft Power (Compressed) | Keith M. Francis
Soft Power (Compressed) by Keith M. Francis. A 2026 archival giclée print on Hahnemühle Photo Rag Bright examining American cultural imperialism, global consumerism, and economic hegemony.
Crimson Legacy | Keith M. Francis
Crimson Legacy by Keith M. Francis. Altered classical portraiture and framed intervention examining Christopher Columbus. The crimson intervention serves as a conceptual act of completion—confronting historical mythologies, erasure, and colonial legacy.
The Great Narcissist | Keith M. Francis
The Great Narcissist by Keith M. Francis (2017). Oil, acrylic, and digital print on canvas in an antique gold wooden frame. A critical examination of political ego, historical portraiture traditions, and manufactured authority.
Share A Coke | Keith M. Francis
Share A Coke by Keith M. Francis (2016). Giclée archival prints on Cotton Rag / Smooth Matte. Subverting corporate branding tactics to examine social polarization, dualism, and identity politics through paired pop-culture iconography. Sizes are Variable.