Keith M. Francis
“Press Kit”
American Beauty
  • Durational Performance & Site-Specific Installations
  • The Unspoken Veil
  • UNTITLED, MELTING
  • UNTITLED
  • The Relative Ground
  • Welcome!
  • White Fence
  • Border Nation
  • Greed! (Illuminating Apathy)
  • Exploitation
  • Let’s Vote
  • Kinetic & Repurposed Objects
  • When I Grow Up...
  • Time?
  • The Weights of Choice
  • TILT
  • Game Over (the only winning move is not to play)
  • Enough is Enough
  • The Omniscient Frame
  • Greenspace
  • Subtleties of Indoctrination III
  • Bibi’s Gambit
  • Violation
  • We Reap What We Sow
  • What If? (Confronting the Abyss)
  • The Gamble of Governance
  • Who's Watching Who
  • The New Religion
  • Democracy: It’s a Game
  • Childhood Cowboys
  • Made in China
  • Caste #2
  • A Cautionary Tale
  • JUCHE
  • Us and Them
  • Public Art & Civic Monuments
  • The Common Thread
  • #146
  • LoveLocks
  • Glittering Patterns
  • #401
  • White Fence
  • Depletion
  • The Firefighters
  • Social Print & Mixed Media
  • Soft Power (Compressed)
  • Sins of my Forefathers
  • Crimson Legacy
  • The Great Narcissist
Art/CV
Exhibitions
NEWS
Press
HYPERALLERGIC
Contact Me!
Keith Francis
Keith M. Francis
“Press Kit”
American Beauty
  • Durational Performance & Site-Specific Installations
  • The Unspoken Veil
  • UNTITLED, MELTING
  • UNTITLED
  • The Relative Ground
  • Welcome!
  • White Fence
  • Border Nation
  • Greed! (Illuminating Apathy)
  • Exploitation
  • Let’s Vote
  • Kinetic & Repurposed Objects
  • When I Grow Up...
  • Time?
  • The Weights of Choice
  • TILT
  • Game Over (the only winning move is not to play)
  • Enough is Enough
  • The Omniscient Frame
  • Greenspace
  • Subtleties of Indoctrination III
  • Bibi’s Gambit
  • Violation
  • We Reap What We Sow
  • What If? (Confronting the Abyss)
  • The Gamble of Governance
  • Who's Watching Who
  • The New Religion
  • Democracy: It’s a Game
  • Childhood Cowboys
  • Made in China
  • Caste #2
  • A Cautionary Tale
  • JUCHE
  • Us and Them
  • Public Art & Civic Monuments
  • The Common Thread
  • #146
  • LoveLocks
  • Glittering Patterns
  • #401
  • White Fence
  • Depletion
  • The Firefighters
  • Social Print & Mixed Media
  • Soft Power (Compressed)
  • Sins of my Forefathers
  • Crimson Legacy
  • The Great Narcissist
Art/CV
Exhibitions
NEWS
Press
HYPERALLERGIC
Contact Me!

Violation

2020, repurposed parking meter, aluminum pole, stainless steel base. 54 X 10 X 10 in.

"Violation," a conceptual artwork by Keith Francis (2020). A repurposed 1960s "POM Park-O-Meter" is covered with a detailed satellite image wrap of Earth. The timer window is permanently fixed, showing a bold yellow "VIOLATION" flag, symbolizing the climate crisis. The meter head is mounted on an aluminum pole against a neutral light grey background.
"Violation," a conceptual artwork by Keith Francis (2020). A repurposed 1960s "POM Park-O-Meter" is covered with a detailed satellite image wrap of Earth. The timer window is permanently fixed, showing a bold yellow "VIOLATION" flag, symbolizing the climate crisis. The meter head is mounted on an aluminum pole against a neutral light grey background.
"Violation," a conceptual artwork by Keith Francis (2020). A repurposed 1960s "POM Park-O-Meter" is covered with a detailed satellite image wrap of Earth. The timer window is permanently fixed, showing a bold yellow "VIOLATION" flag, symbolizing the climate crisis. The meter head is mounted on an aluminum pole against a neutral light grey background.
Violation Ticket

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A Cautionary Tale
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Time?
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We Reap What We Sow
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What If? (Confronting the Abyss)
2023, Mixed media on steel, neon glass text, 48" X 48" X 6".
TILT
2025, repurposed 1967 Gottlieb pinball machine, with video and sound. 80" X 55" X 25" in. | 203 X 140 X 64 cm
JUCHE
2018, wood, rice cake, paint 9” X 9” X 1.5” in.
The New Religion
2024, LED electronics, computer processor, wood, velvet, brass; 25" X 16" X 3.25".
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