Keith M. Francis
“Press Kit”
American Beauty
  • Durational Performance & Site-Specific Installations
  • UNTITLED
  • The Relative Ground
  • Welcome!
  • White Fence
  • Border Nation
  • Greed! (Illuminating Apathy)
  • Exploitation
  • Let’s Vote
  • Kinetic & Repurposed Objects
  • TILT
  • The Weights of Choice
  • Democracy: It’s a Game
  • Bibi’s Gambit
  • The Omniscient Frame
  • The Mute Oracle
  • Greenspace
  • Subtleties of Indoctrination III
  • Enough is Enough
  • Game Over (the only winning move is not to play)
  • Violation
  • When I Grow Up...
  • The Gamble of Governance
  • What If? (Confronting the Abyss)
  • Time?
  • A Cautionary Tale
  • We Reap What We Sow
  • Us and Them
  • Who's Watching Who
  • The New Religion
  • Childhood Cowboys
  • Subtleties of Indoctrination
  • Made in China
  • Caste #2
  • JUCHE
  • Public Art & Civic Monuments
  • The Common Thread
  • #146
  • LoveLocks
  • 2004 Democratic National Convention
  • Glittering Patterns
  • #401
  • White Fence
  • Depletion
  • Leonard P. Zakim Bunker Hill Poster
  • The Firefighters
  • Social Print & Mixed Media
  • Sins of my Forefathers
  • Crimson Legacy
  • Share A Coke
  • The Great Narcissist
  • UForge Gallery Exhibition Poster
  • The Invasion
Art/CV
Exhibitions
NEWS
Press
HYPERALLERGIC
Contact Me!
Keith Francis
Keith M. Francis
“Press Kit”
American Beauty
  • Durational Performance & Site-Specific Installations
  • UNTITLED
  • The Relative Ground
  • Welcome!
  • White Fence
  • Border Nation
  • Greed! (Illuminating Apathy)
  • Exploitation
  • Let’s Vote
  • Kinetic & Repurposed Objects
  • TILT
  • The Weights of Choice
  • Democracy: It’s a Game
  • Bibi’s Gambit
  • The Omniscient Frame
  • The Mute Oracle
  • Greenspace
  • Subtleties of Indoctrination III
  • Enough is Enough
  • Game Over (the only winning move is not to play)
  • Violation
  • When I Grow Up...
  • The Gamble of Governance
  • What If? (Confronting the Abyss)
  • Time?
  • A Cautionary Tale
  • We Reap What We Sow
  • Us and Them
  • Who's Watching Who
  • The New Religion
  • Childhood Cowboys
  • Subtleties of Indoctrination
  • Made in China
  • Caste #2
  • JUCHE
  • Public Art & Civic Monuments
  • The Common Thread
  • #146
  • LoveLocks
  • 2004 Democratic National Convention
  • Glittering Patterns
  • #401
  • White Fence
  • Depletion
  • Leonard P. Zakim Bunker Hill Poster
  • The Firefighters
  • Social Print & Mixed Media
  • Sins of my Forefathers
  • Crimson Legacy
  • Share A Coke
  • The Great Narcissist
  • UForge Gallery Exhibition Poster
  • The Invasion
Art/CV
Exhibitions
NEWS
Press
HYPERALLERGIC
Contact Me!

LoveLocks

2023, steel and granite, 12'-0" X 10'-0" X 4'-0" ft, 3,000 lbs.

Public Art Commission: New Bedford, Massachusetts
A permanent public sculpture titled "LoveLocks" by Keith Francis, standing 12 feet tall and weighing 3,000 lbs. The central form is a monumental matte black steel whale fluke that curves upward to create a negative space heart in the center. The sculpture is anchored to a base of two jagged, 1,000-pound granite foundation stones salvaged from the historic 1862 Wamsutta Mill.  A large-scale tan rope fishing net is suspended from the fluke and draped toward the base, representing New Bedford’s maritime heritage. Dozens of small, heart-shaped padlocks in various colors (red, blue, pink, and yellow) are attached to the netting. The sculpture is installed in a public brick plaza with residential buildings and trees in the background. The work serves as a synthesis of the city's industrial and oceanic identity.
A permanent public sculpture titled "LoveLocks" by Keith Francis, standing 12 feet tall and weighing 3,000 lbs. The central form is a monumental matte black steel whale fluke that curves upward to create a negative space heart in the center. The sculpture is anchored to a base of two jagged, 1,000-pound granite foundation stones salvaged from the historic 1862 Wamsutta Mill.  A large-scale tan rope fishing net is suspended from the fluke and draped toward the base, representing New Bedford’s maritime heritage. Dozens of small, heart-shaped padlocks in various colors (red, blue, pink, and yellow) are attached to the netting. The sculpture is installed in a public brick plaza with residential buildings and trees in the background. The work serves as a synthesis of the city's industrial and oceanic identity.
A permanent public sculpture titled "LoveLocks" by Keith Francis, standing 12 feet tall and weighing 3,000 lbs. The central form is a monumental matte black steel whale fluke that curves upward to create a negative space heart in the center. The sculpture is anchored to a base of two jagged, 1,000-pound granite foundation stones salvaged from the historic 1862 Wamsutta Mill.  A large-scale tan rope fishing net is suspended from the fluke and draped toward the base, representing New Bedford’s maritime heritage. Dozens of small, heart-shaped padlocks in various colors (red, blue, pink, and yellow) are attached to the netting. The sculpture is installed in a public brick plaza with residential buildings and trees in the background. The work serves as a synthesis of the city's industrial and oceanic identity.
A permanent public sculpture titled "LoveLocks" by Keith Francis, standing 12 feet tall and weighing 3,000 lbs. The central form is a monumental matte black steel whale fluke that curves upward to create a negative space heart in the center. The sculpture is anchored to a base of two jagged, 1,000-pound granite foundation stones salvaged from the historic 1862 Wamsutta Mill.  A large-scale tan rope fishing net is suspended from the fluke and draped toward the base, representing New Bedford’s maritime heritage. Dozens of small, heart-shaped padlocks in various colors (red, blue, pink, and yellow) are attached to the netting. The sculpture is installed in a public brick plaza with residential buildings and trees in the background. The work serves as a synthesis of the city's industrial and oceanic identity.

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#146
2016, steel, 48 X 96 X 3 in.
The Common Thread
Design: 10’-0” X 9’-0” X 4’-6”; Cor-Ten Steel. New Bedford, MA
#401
2026, hand formed steel; 36" X 48" X 3." Stainless steel, Mirror Finish.
White Fence
2020, wood and aluminum base, 100 X 108 X 72 in.
Glittering Patterns
Kinetic sculpture 9'-0" X 9'-0" X 3'-0", steel, aluminum and concrete footings.
2004 Democratic National Convention
2004, lithograph print 6-colors; 28" X 20".
Depletion
2020, billboard, 24 X 26 ft. Large format Giclée print.
The Firefighters
2008, stainless steel and granite, 60 X 84 X 36 in., 1,860 lbs.
Leonard P. Zakim Bunker Hill Poster
2002, lithograph print 5-colors; 28" X 20".
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