Keith M. Francis
“Press Kit”
American Beauty
  • Durational Performance & Site-Specific Installations
  • UNTITLED, MELTING.
  • UNTITLED
  • The Relative Ground
  • Welcome!
  • White Fence
  • Border Nation
  • Greed! (Illuminating Apathy)
  • Exploitation
  • Let’s Vote
  • Kinetic & Repurposed Objects
  • Time?
  • TILT
  • The Weights of Choice
  • Democracy: It’s a Game
  • Bibi’s Gambit
  • The Omniscient Frame
  • The Mute Oracle
  • Greenspace
  • Subtleties of Indoctrination III
  • Enough is Enough
  • Game Over (the only winning move is not to play)
  • Violation
  • When I Grow Up...
  • The Gamble of Governance
  • What If? (Confronting the Abyss)
  • A Cautionary Tale
  • We Reap What We Sow
  • Us and Them
  • Who's Watching Who
  • The New Religion
  • Childhood Cowboys
  • Subtleties of Indoctrination
  • Made in China
  • Caste #2
  • JUCHE
  • Public Art & Civic Monuments
  • The Common Thread
  • #146
  • LoveLocks
  • 2004 Democratic National Convention
  • Glittering Patterns
  • #401
  • White Fence
  • Depletion
  • Leonard P. Zakim Bunker Hill Poster
  • The Firefighters
  • Social Print & Mixed Media
  • Sins of my Forefathers
  • Crimson Legacy
  • Share A Coke
  • The Great Narcissist
  • UForge Gallery Exhibition Poster
  • The Invasion
Art/CV
Exhibitions
NEWS
Press
HYPERALLERGIC
Contact Me!
Keith Francis
Keith M. Francis
“Press Kit”
American Beauty
  • Durational Performance & Site-Specific Installations
  • UNTITLED, MELTING.
  • UNTITLED
  • The Relative Ground
  • Welcome!
  • White Fence
  • Border Nation
  • Greed! (Illuminating Apathy)
  • Exploitation
  • Let’s Vote
  • Kinetic & Repurposed Objects
  • Time?
  • TILT
  • The Weights of Choice
  • Democracy: It’s a Game
  • Bibi’s Gambit
  • The Omniscient Frame
  • The Mute Oracle
  • Greenspace
  • Subtleties of Indoctrination III
  • Enough is Enough
  • Game Over (the only winning move is not to play)
  • Violation
  • When I Grow Up...
  • The Gamble of Governance
  • What If? (Confronting the Abyss)
  • A Cautionary Tale
  • We Reap What We Sow
  • Us and Them
  • Who's Watching Who
  • The New Religion
  • Childhood Cowboys
  • Subtleties of Indoctrination
  • Made in China
  • Caste #2
  • JUCHE
  • Public Art & Civic Monuments
  • The Common Thread
  • #146
  • LoveLocks
  • 2004 Democratic National Convention
  • Glittering Patterns
  • #401
  • White Fence
  • Depletion
  • Leonard P. Zakim Bunker Hill Poster
  • The Firefighters
  • Social Print & Mixed Media
  • Sins of my Forefathers
  • Crimson Legacy
  • Share A Coke
  • The Great Narcissist
  • UForge Gallery Exhibition Poster
  • The Invasion
Art/CV
Exhibitions
NEWS
Press
HYPERALLERGIC
Contact Me!

What If? (Confronting the Abyss)

2023, Mixed media on steel, neon glass text, 48" X 48" X 6".

A large-scale mixed-media artwork titled "What If? (Confronting the Abyss)" by Keith Francis (2023). The piece is a 48-inch square steel panel with a heavily textured, distressed surface characterized by rusted water patterns, grit, and dark, somber tones.  Centered on the panel is a painted figure of a young girl with outstretched arms. Her face and skin appear charred and weathered, and she wears a physical, three-dimensional antique gas mask that protrudes from the surface of the steel. The girl's posture and the "indefinite peace" of the mask evoke a sense of perpetual vulnerability and trauma.  At the bottom of the steel panel, a horizontal blue neon sign is attached, glowing with the words "WHAT IF." The vibrant, artificial blue light of the neon creates a sharp, jarring tension against the gritty, dark-brown textures of the background. The work serves as a visceral critique of modern anxiety and a call for vigilance in the face of technological and environmental threats.
A large-scale mixed-media artwork titled "What If? (Confronting the Abyss)" by Keith Francis (2023). The piece is a 48-inch square steel panel with a heavily textured, distressed surface characterized by rusted water patterns, grit, and dark, somber tones.  Centered on the panel is a painted figure of a young girl with outstretched arms. Her face and skin appear charred and weathered, and she wears a physical, three-dimensional antique gas mask that protrudes from the surface of the steel. The girl's posture and the "indefinite peace" of the mask evoke a sense of perpetual vulnerability and trauma.  At the bottom of the steel panel, a horizontal blue neon sign is attached, glowing with the words "WHAT IF." The vibrant, artificial blue light of the neon creates a sharp, jarring tension against the gritty, dark-brown textures of the background. The work serves as a visceral critique of modern anxiety and a call for vigilance in the face of technological and environmental threats.
A large-scale mixed-media artwork titled "What If? (Confronting the Abyss)" by Keith Francis (2023). The piece is a 48-inch square steel panel with a heavily textured, distressed surface characterized by rusted water patterns, grit, and dark, somber tones.  Centered on the panel is a painted figure of a young girl with outstretched arms. Her face and skin appear charred and weathered, and she wears a physical, three-dimensional antique gas mask that protrudes from the surface of the steel. The girl's posture and the "indefinite peace" of the mask evoke a sense of perpetual vulnerability and trauma.  At the bottom of the steel panel, a horizontal blue neon sign is attached, glowing with the words "WHAT IF." The vibrant, artificial blue light of the neon creates a sharp, jarring tension against the gritty, dark-brown textures of the background. The work serves as a visceral critique of modern anxiety and a call for vigilance in the face of technological and environmental threats.

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A Cautionary Tale
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Us and Them
2019, repurposed 1968 Gottlieb pinball machine, 70" X 56" X 29" in | 178 X 142 X 74 cm
Game Over (the only winning move is not to play)
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We Reap What We Sow
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Democracy: It’s a Game
2018, repurposed 1969 Gottlieb pinball machine, wood, graphics, glass and electronics. 60" X 56" X 29" in | 178 X 142 X 74 cm
The Omniscient Frame
2025, antique gilded frame, wood, video LCD screen, internal electronics, 22" X 22" X 6"
Enough is Enough
2023, metal, glass, enamel, 14" X 7" X 7" in.
Made in China
2023, 34" X 60", 100% Cotton
Who's Watching Who
2015, stainless steel, plastic and internal electronics, 28 X 24 X 24 in.
When I Grow Up...
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