Keith M. Francis
Art/CV
“Press Kit”
American Beauty
  • Installations & Conceptual Works
  • The Unspoken Veil
  • UNTITLED, MELTING
  • UNTITLED
  • Welcome!
  • White Fence
  • Border Nation
  • Greed! (Illuminating Apathy)
  • Exploitation
  • Let’s Vote
  • Sculpture & Assemblage
  • Unseated
  • When I Grow Up...
  • Time?
  • The Weights of Choice
  • TILT
  • Game Over (the only winning move is not to play)
  • Enough is Enough
  • The Omniscient Frame
  • Greenspace
  • Subtleties of Indoctrination III
  • Bibi’s Gambit
  • Violation
  • We Reap What We Sow
  • What If? (Confronting the Abyss)
  • The Gamble of Governance
  • Who's Watching Who
  • The New Religion
  • Democracy: It’s a Game
  • Childhood Cowboys
  • Made in China
  • Caste #2
  • A Cautionary Tale
  • JUCHE
  • Us and Them
  • Public Art & Commissions
  • Mother Nature: The Common Thread
  • The Common Thread
  • #146
  • LoveLocks
  • Glittering Patterns
  • #401
  • White Fence
  • Ole Miss: University of Mississippi
  • The Firefighters
  • Mixed Media & Relief
  • Shirley Temple
  • Soft Power (Compressed)
  • Sins of my Forefathers
  • Crimson Legacy
  • The Great Narcissist
  • Share A Coke
Exhibitions
NEWS
Press
HYPERALLERGIC
Contact Me!
Keith Francis
Keith M. Francis
Art/CV
“Press Kit”
American Beauty
  • Installations & Conceptual Works
  • The Unspoken Veil
  • UNTITLED, MELTING
  • UNTITLED
  • Welcome!
  • White Fence
  • Border Nation
  • Greed! (Illuminating Apathy)
  • Exploitation
  • Let’s Vote
  • Sculpture & Assemblage
  • Unseated
  • When I Grow Up...
  • Time?
  • The Weights of Choice
  • TILT
  • Game Over (the only winning move is not to play)
  • Enough is Enough
  • The Omniscient Frame
  • Greenspace
  • Subtleties of Indoctrination III
  • Bibi’s Gambit
  • Violation
  • We Reap What We Sow
  • What If? (Confronting the Abyss)
  • The Gamble of Governance
  • Who's Watching Who
  • The New Religion
  • Democracy: It’s a Game
  • Childhood Cowboys
  • Made in China
  • Caste #2
  • A Cautionary Tale
  • JUCHE
  • Us and Them
  • Public Art & Commissions
  • Mother Nature: The Common Thread
  • The Common Thread
  • #146
  • LoveLocks
  • Glittering Patterns
  • #401
  • White Fence
  • Ole Miss: University of Mississippi
  • The Firefighters
  • Mixed Media & Relief
  • Shirley Temple
  • Soft Power (Compressed)
  • Sins of my Forefathers
  • Crimson Legacy
  • The Great Narcissist
  • Share A Coke
Exhibitions
NEWS
Press
HYPERALLERGIC
Contact Me!

What If? (Confronting the Abyss)

2023, Mixed media on steel, neon glass text, 48" X 48" X 6".

A large-scale mixed-media artwork titled "What If? (Confronting the Abyss)" by Keith Francis (2023). The piece is a 48-inch square steel panel with a heavily textured, distressed surface characterized by rusted water patterns, grit, and dark, somber tones.  Centered on the panel is a painted figure of a young girl with outstretched arms. Her face and skin appear charred and weathered, and she wears a physical, three-dimensional antique gas mask that protrudes from the surface of the steel. The girl's posture and the "indefinite peace" of the mask evoke a sense of perpetual vulnerability and trauma.  At the bottom of the steel panel, a horizontal blue neon sign is attached, glowing with the words "WHAT IF." The vibrant, artificial blue light of the neon creates a sharp, jarring tension against the gritty, dark-brown textures of the background. The work serves as a visceral critique of modern anxiety and a call for vigilance in the face of technological and environmental threats.
A large-scale mixed-media artwork titled "What If? (Confronting the Abyss)" by Keith Francis (2023). The piece is a 48-inch square steel panel with a heavily textured, distressed surface characterized by rusted water patterns, grit, and dark, somber tones.  Centered on the panel is a painted figure of a young girl with outstretched arms. Her face and skin appear charred and weathered, and she wears a physical, three-dimensional antique gas mask that protrudes from the surface of the steel. The girl's posture and the "indefinite peace" of the mask evoke a sense of perpetual vulnerability and trauma.  At the bottom of the steel panel, a horizontal blue neon sign is attached, glowing with the words "WHAT IF." The vibrant, artificial blue light of the neon creates a sharp, jarring tension against the gritty, dark-brown textures of the background. The work serves as a visceral critique of modern anxiety and a call for vigilance in the face of technological and environmental threats.

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The Gamble of Governance
2024, repurposed slot machine, with custom internal blinking LED lights, 20" X 12" X 10"
Greenspace
2024, mixed media; 50" X 50" X 2"
Unseated
2026, Welded stripped steel classroom frames, weld scale, natural patina 53 × 60 × 60 in.
Enough is Enough
2023, metal, glass, enamel, 14" X 7" X 7" in.
Game Over (the only winning move is not to play)
2020, repurposed 1968 Gottlieb pinball machine, 70" X 56" X 29" in | 178 X 142 X 74 cm
Us and Them
2019, repurposed 1968 Gottlieb pinball machine, 70" X 56" X 29" in | 178 X 142 X 74 cm
Made in China
2023, 34" X 60", 100% Cotton
A Cautionary Tale
2021, old steel plates, LED backlit monitor with video, wood, enamel, exterior light. 68 X 97 X 10 in.
Bibi’s Gambit
2024, antique brass menorah, .50 BMG cartridges, 9" X 17" X 4"
When I Grow Up...
2015, old steel plates, wood, fiberglass, enamel and latex balloons, 61 X 96 X 15 in., 175 lbs.
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