SOLD: Galleria Comunale di Arte Contemporanea di Monfalcone, Italy.
A large-scale textile artwork titled "WELCOME!" by Keith Francis, shown in a gallery setting with a white bench in the foreground. The piece consists of sixteen American flags stitched together to form a large rectangular grid (four flags wide by four flags high).  Each individual flag is defaced with a semi-transparent grey horizontal stripe running across the center. Printed in bold, sans-serif grey capital letters on these stripes are exclusionary phrases documenting the history of U.S. immigration restrictions. The phrases include:  Top Row: "NO MUSLIMS," "NO CATHOLICS," "NO JAPANESE," "NO SLAVS"  Second Row: "NO EPILEPTICS," "NO IRISH," "NO COMMUNIST," "NO ITALIANS"  Third Row: "NO ASIAN," "NO NATIVE AMERICANS," "NO COLORED," "NO IDIOTS"  Bottom Row: "NO MEXICANS," "NO CHINESE," "NO JEWS," "NO NON-WHITES"  The work serves as a stark, confrontational critique of the "golden door" myth, highlighting the legislative history of exclusion in the United States. It was famously exhibited alongside works by Andy Warhol and Banksy at the Altinate Cultural Center in Padua, Italy.
A large-scale textile artwork titled "WELCOME!" by Keith Francis, shown in a gallery setting with a white bench in the foreground. The piece consists of sixteen American flags stitched together to form a large rectangular grid (four flags wide by four flags high).  Each individual flag is defaced with a semi-transparent grey horizontal stripe running across the center. Printed in bold, sans-serif grey capital letters on these stripes are exclusionary phrases documenting the history of U.S. immigration restrictions. The phrases include:  Top Row: "NO MUSLIMS," "NO CATHOLICS," "NO JAPANESE," "NO SLAVS"  Second Row: "NO EPILEPTICS," "NO IRISH," "NO COMMUNIST," "NO ITALIANS"  Third Row: "NO ASIAN," "NO NATIVE AMERICANS," "NO COLORED," "NO IDIOTS"  Bottom Row: "NO MEXICANS," "NO CHINESE," "NO JEWS," "NO NON-WHITES"  The work serves as a stark, confrontational critique of the "golden door" myth, highlighting the legislative history of exclusion in the United States. It was famously exhibited alongside works by Andy Warhol and Banksy at the Altinate Cultural Center in Padua, Italy.
My artwork, "WELCOME!," exhibited as part of the prestigious American Beauty exhibition in Padua, Italy, is a critical confrontation with the historical reality of U.S. immigration policy. Standing alongside works by luminaries like Andy Warhol, Banksy, Annie Leibovitz, and Shepard Fairey, my piece uses an antagonistic stance to unmask the enduring myth of the "golden door."
The iconic inscription on the Statue of Liberty—"Give me your tired, your poor, Your huddled masses yearning to breathe free..."—promises universal welcome. However, my work argues that this has been, and remains, a myth.
"WELCOME!" reveals a history, largely unknown to the mainstream public, in which the United States has consistently used its laws to marginalize, limit, or outright ban those ruled inadmissible based on race and religion. From the Naturalization Act of 1790, which restricted citizenship to "free white persons," to the Chinese Exclusion Act of 1882, the Asiatic Barred Zone Act of 1917, and the national-origins quotas of the 1920s, the legal system has historically been a mechanism of racial and religious preference.
The piece seeks to expose the hypocrisy between the nation's soaring rhetoric of open arms and the exclusionary reality of its legislative history. By presenting this critical, confrontational view, "WELCOME!" challenges the viewer to look beyond the myth and acknowledge the persistent, systemic marginalization embedded within the U.S. immigration narrative since 1790.
Keith Francis New Bedford-based Artist Exhibiting at the Altinate Cultural Center | San Gaetano, Padua, Italy American Beauty Exhibition: September 13, 2023 – January 21, 2024.
Collection of the Galleria Comunale d'Arte Contemporanea (Municipal Gallery of
Contemporary Art), 
Monfalcone, Italy.

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