Keith M. Francis
“Press Kit”
American Beauty
  • Durational Performance & Site-Specific Installations
  • UNTITLED, MELTING.
  • UNTITLED
  • The Relative Ground
  • Welcome!
  • White Fence
  • Border Nation
  • Greed! (Illuminating Apathy)
  • Exploitation
  • Let’s Vote
  • Kinetic & Repurposed Objects
  • Time?
  • TILT
  • The Weights of Choice
  • Democracy: It’s a Game
  • Bibi’s Gambit
  • The Omniscient Frame
  • The Mute Oracle
  • Greenspace
  • Subtleties of Indoctrination III
  • Enough is Enough
  • Game Over (the only winning move is not to play)
  • Violation
  • When I Grow Up...
  • The Gamble of Governance
  • What If? (Confronting the Abyss)
  • A Cautionary Tale
  • We Reap What We Sow
  • Us and Them
  • Who's Watching Who
  • The New Religion
  • Childhood Cowboys
  • Subtleties of Indoctrination
  • Made in China
  • Caste #2
  • JUCHE
  • Public Art & Civic Monuments
  • The Common Thread
  • #146
  • LoveLocks
  • 2004 Democratic National Convention
  • Glittering Patterns
  • #401
  • White Fence
  • Depletion
  • Leonard P. Zakim Bunker Hill Poster
  • The Firefighters
  • Social Print & Mixed Media
  • Sins of my Forefathers
  • Crimson Legacy
  • Share A Coke
  • The Great Narcissist
  • UForge Gallery Exhibition Poster
  • The Invasion
Art/CV
Exhibitions
NEWS
Press
HYPERALLERGIC
Contact Me!
Keith Francis
Keith M. Francis
“Press Kit”
American Beauty
  • Durational Performance & Site-Specific Installations
  • UNTITLED, MELTING.
  • UNTITLED
  • The Relative Ground
  • Welcome!
  • White Fence
  • Border Nation
  • Greed! (Illuminating Apathy)
  • Exploitation
  • Let’s Vote
  • Kinetic & Repurposed Objects
  • Time?
  • TILT
  • The Weights of Choice
  • Democracy: It’s a Game
  • Bibi’s Gambit
  • The Omniscient Frame
  • The Mute Oracle
  • Greenspace
  • Subtleties of Indoctrination III
  • Enough is Enough
  • Game Over (the only winning move is not to play)
  • Violation
  • When I Grow Up...
  • The Gamble of Governance
  • What If? (Confronting the Abyss)
  • A Cautionary Tale
  • We Reap What We Sow
  • Us and Them
  • Who's Watching Who
  • The New Religion
  • Childhood Cowboys
  • Subtleties of Indoctrination
  • Made in China
  • Caste #2
  • JUCHE
  • Public Art & Civic Monuments
  • The Common Thread
  • #146
  • LoveLocks
  • 2004 Democratic National Convention
  • Glittering Patterns
  • #401
  • White Fence
  • Depletion
  • Leonard P. Zakim Bunker Hill Poster
  • The Firefighters
  • Social Print & Mixed Media
  • Sins of my Forefathers
  • Crimson Legacy
  • Share A Coke
  • The Great Narcissist
  • UForge Gallery Exhibition Poster
  • The Invasion
Art/CV
Exhibitions
NEWS
Press
HYPERALLERGIC
Contact Me!

Bibi’s Gambit

2024, antique brass menorah, .50 BMG cartridges, 9" X 17" X 4"

An artwork titled "Bibi’s Gambit" by Keith Francis, set against a plain light background. The sculpture is centered on an antique, polished brass seven-branched candelabra.In a stark modification of its intended function, seven inert .50 BMG bullet cartridges have been inserted into the cups that typically hold candles. The brass casings of the ammunition match the metal of the Menorah, while the copper-jacketed projectiles with grey steel tips form the "flames" of the candelabra. The piece is a direct commentary on the intersection of faith and the Gaza conflict under Prime Minister Benjamin Netanyahu’s leadership, symbolizing the militarization of sacred traditions.

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The New Religion
2024, LED electronics, computer processor, wood, velvet, brass; 25" X 16" X 3.25".
Who's Watching Who
2015, stainless steel, plastic and internal electronics, 28 X 24 X 24 in.
Subtleties of Indoctrination III
37" X 25" X 21", Antique wooden television with LCD screen, black + white video.
The Omniscient Frame
2025, antique gilded frame, wood, video LCD screen, internal electronics, 22" X 22" X 6"
We Reap What We Sow
2024, found object; 55" X 14.5" X 14"
Violation
2020, repurposed parking meter, aluminum pole, stainless steel base. 54 X 10 X 10 in.
Greenspace
2024, mixed media; 50" X 50" X 2"
The Mute Oracle
2025, 3D-printed form, metallic paint, white paint, Antique Chinese hardwood wooden vase stand, paper fortunes. 14" X 10" X 10" in. | 36 X 25 X 25 cm
What If? (Confronting the Abyss)
2023, Mixed media on steel, neon glass text, 48" X 48" X 6".
The Gamble of Governance
2024, repurposed slot machine, with custom internal blinking LED lights, 20" X 12" X 10"
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