Keith M. Francis
“Press Kit”
American Beauty
  • Durational Performance & Site-Specific Installations
  • UNTITLED
  • The Relative Ground
  • Welcome!
  • White Fence
  • Border Nation
  • Greed! (Illuminating Apathy)
  • Exploitation
  • Let’s Vote
  • Kinetic & Repurposed Objects
  • TILT
  • The Weights of Choice
  • Democracy: It’s a Game
  • Bibi’s Gambit
  • The Omniscient Frame
  • The Mute Oracle
  • Greenspace
  • Subtleties of Indoctrination III
  • Enough is Enough
  • Game Over (the only winning move is not to play)
  • Violation
  • When I Grow Up...
  • The Gamble of Governance
  • What If? (Confronting the Abyss)
  • Time?
  • A Cautionary Tale
  • We Reap What We Sow
  • Us and Them
  • Who's Watching Who
  • The New Religion
  • Childhood Cowboys
  • Subtleties of Indoctrination
  • Made in China
  • Caste #2
  • JUCHE
  • Public Art & Civic Monuments
  • The Common Thread
  • #146
  • LoveLocks
  • 2004 Democratic National Convention
  • Glittering Patterns
  • #401
  • White Fence
  • Depletion
  • Leonard P. Zakim Bunker Hill Poster
  • The Firefighters
  • Social Print & Mixed Media
  • Sins of my Forefathers
  • Crimson Legacy
  • Share A Coke
  • The Great Narcissist
  • UForge Gallery Exhibition Poster
  • The Invasion
Art/CV
Exhibitions
NEWS
Press
HYPERALLERGIC
Contact Me!
Keith Francis
Keith M. Francis
“Press Kit”
American Beauty
  • Durational Performance & Site-Specific Installations
  • UNTITLED
  • The Relative Ground
  • Welcome!
  • White Fence
  • Border Nation
  • Greed! (Illuminating Apathy)
  • Exploitation
  • Let’s Vote
  • Kinetic & Repurposed Objects
  • TILT
  • The Weights of Choice
  • Democracy: It’s a Game
  • Bibi’s Gambit
  • The Omniscient Frame
  • The Mute Oracle
  • Greenspace
  • Subtleties of Indoctrination III
  • Enough is Enough
  • Game Over (the only winning move is not to play)
  • Violation
  • When I Grow Up...
  • The Gamble of Governance
  • What If? (Confronting the Abyss)
  • Time?
  • A Cautionary Tale
  • We Reap What We Sow
  • Us and Them
  • Who's Watching Who
  • The New Religion
  • Childhood Cowboys
  • Subtleties of Indoctrination
  • Made in China
  • Caste #2
  • JUCHE
  • Public Art & Civic Monuments
  • The Common Thread
  • #146
  • LoveLocks
  • 2004 Democratic National Convention
  • Glittering Patterns
  • #401
  • White Fence
  • Depletion
  • Leonard P. Zakim Bunker Hill Poster
  • The Firefighters
  • Social Print & Mixed Media
  • Sins of my Forefathers
  • Crimson Legacy
  • Share A Coke
  • The Great Narcissist
  • UForge Gallery Exhibition Poster
  • The Invasion
Art/CV
Exhibitions
NEWS
Press
HYPERALLERGIC
Contact Me!

The New Religion

2024, LED electronics, computer processor, wood, velvet, brass; 25" X 16" X 3.25".

"The New Religion" (2024) by Keith Francis. A conceptual multimedia artwork where an antique brass crucifix is fused with modern computer components, including a processor chip and cooling fans, set against deep red velvet in a gold frame. The piece explores the intersection of spirituality and Artificial Intelligence.

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We Reap What We Sow
2024, found object; 55" X 14.5" X 14"
The Weights of Choice
2024, Plaster and Epoxy, 4" X 6" X 4" each (comprising 7 individual elements)
Time?
2024, Civil Defense Vintage Geiger counter, Quartz Clock; 9" X 4.5" X 3.5".
The Omniscient Frame
2025, antique gilded frame, wood, video LCD screen, internal electronics, 22" X 22" X 6"
The Gamble of Governance
2024, repurposed slot machine, with custom internal blinking LED lights, 20" X 12" X 10"
Subtleties of Indoctrination
2021, high resolution screen, video, antique metal toy gun, wood, 14 X 16.5 in.
Game Over (the only winning move is not to play)
2020, repurposed 1968 Gottlieb pinball machine, 70" X 56" X 29" in | 178 X 142 X 74 cm
What If? (Confronting the Abyss)
2023, Mixed media on steel, neon glass text, 48" X 48" X 6".
Childhood Cowboys
2022, wood, enamel, LCD screen, video and antique child’s wagon, 60 X 60 X 30 in.
Us and Them
2019, repurposed 1968 Gottlieb pinball machine, 70" X 56" X 29" in | 178 X 142 X 74 cm
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