Keith M. Francis
American Beauty
  • Durational Performance & Site-Specific Installations
  • UNTITLED
  • The Relative Ground
  • Welcome!
  • White Fence
  • Border Nation
  • Greed! (Illuminating Apathy)
  • Exploitation
  • Let’s Vote
  • Kinetic & Repurposed Objects
  • TILT
  • The Weights of Choice
  • Democracy: It’s a Game
  • Bibi’s Gambit
  • The Omniscient Frame
  • The Mute Oracle
  • Greenspace
  • Subtleties of Indoctrination III
  • Enough is Enough
  • Game Over (the only winning move is not to play)
  • Violation
  • When I Grow Up...
  • The Gamble of Governance
  • What If? (Confronting the Abyss)
  • Time?
  • A Cautionary Tale
  • We Reap What We Sow
  • Us and Them
  • Who's Watching Who
  • The New Religion
  • Childhood Cowboys
  • Subtleties of Indoctrination
  • Made in China
  • Caste #2
  • JUCHE
  • Public Art & Civic Monuments
  • The Common Thread
  • #146
  • LoveLocks
  • 2004 Democratic National Convention
  • Glittering Patterns
  • Redmond Airport
  • #401
  • White Fence
  • Depletion
  • Leonard P. Zakim Bunker Hill Poster
  • The Firefighters
  • Social Print & Mixed Media
  • Sins of my Forefathers
  • Crimson Legacy
  • Share A Coke
  • The Great Narcissist
  • UForge Gallery Exhibition Poster
  • The Invasion
Art/CV
Exhibitions
NEWS
Press
Contact Me!
Keith Francis
Keith M. Francis
American Beauty
  • Durational Performance & Site-Specific Installations
  • UNTITLED
  • The Relative Ground
  • Welcome!
  • White Fence
  • Border Nation
  • Greed! (Illuminating Apathy)
  • Exploitation
  • Let’s Vote
  • Kinetic & Repurposed Objects
  • TILT
  • The Weights of Choice
  • Democracy: It’s a Game
  • Bibi’s Gambit
  • The Omniscient Frame
  • The Mute Oracle
  • Greenspace
  • Subtleties of Indoctrination III
  • Enough is Enough
  • Game Over (the only winning move is not to play)
  • Violation
  • When I Grow Up...
  • The Gamble of Governance
  • What If? (Confronting the Abyss)
  • Time?
  • A Cautionary Tale
  • We Reap What We Sow
  • Us and Them
  • Who's Watching Who
  • The New Religion
  • Childhood Cowboys
  • Subtleties of Indoctrination
  • Made in China
  • Caste #2
  • JUCHE
  • Public Art & Civic Monuments
  • The Common Thread
  • #146
  • LoveLocks
  • 2004 Democratic National Convention
  • Glittering Patterns
  • Redmond Airport
  • #401
  • White Fence
  • Depletion
  • Leonard P. Zakim Bunker Hill Poster
  • The Firefighters
  • Social Print & Mixed Media
  • Sins of my Forefathers
  • Crimson Legacy
  • Share A Coke
  • The Great Narcissist
  • UForge Gallery Exhibition Poster
  • The Invasion
Art/CV
Exhibitions
NEWS
Press
Contact Me!

A Cautionary Tale

2021, old steel plates, LED backlit monitor with video, wood, enamel, exterior light. 68 X 97 X 10 in.

"A Cautionary Tale" (2021) by Keith Francis. A large-scale multimedia installation featuring weathered steel industrial plates. A sleek, backlit image of a 1960s NASA astronaut is positioned on the left, while an embedded video screen on the right plays black-and-white archival footage of the 1965 Selma Civil Rights protests. The work critiques the paradox of American progress.
"A Cautionary Tale" (2021) by Keith Francis. A large-scale multimedia installation featuring weathered steel industrial plates. A sleek, backlit image of a 1960s NASA astronaut is positioned on the left, while an embedded video screen on the right plays black-and-white archival footage of the 1965 Selma Civil Rights protests. The work critiques the paradox of American progress.

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Who's Watching Who
2015, stainless steel, plastic and internal electronics, 28 X 24 X 24 in.
When I Grow Up...
2015, old steel plates, wood, fiberglass, enamel and latex balloons, 61 X 96 X 15 in., 175 lbs.
Game Over (the only winning move is not to play)
2020, repurposed 1968 Gottlieb pinball machine, 70" X 56" X 29" in | 178 X 142 X 74 cm
What If? (Confronting the Abyss)
2023, Mixed media on steel, neon glass text, 48" X 48" X 6".
The Mute Oracle
2025, 3D-printed form, metallic paint, white paint, Antique Chinese hardwood wooden vase stand, paper fortunes. 14" X 10" X 10" in. | 36 X 25 X 25 cm
The New Religion
2024, LED electronics, computer processor, wood, velvet, brass; 25" X 16" X 3.25".
Enough is Enough
2023, metal, glass, enamel, 14" X 7" X 7" in.
Violation
2020, repurposed parking meter, aluminum pole, stainless steel base. 54 X 10 X 10 in.
Made in China
2023, 34" X 60", 100% Cotton
JUCHE
2018, wood, rice cake, paint 9” X 9” X 1.5” in.
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