Keith M. Francis
“Press Kit”
American Beauty
  • Durational Performance & Site-Specific Installations
  • UNTITLED
  • The Relative Ground
  • Welcome!
  • White Fence
  • Border Nation
  • Greed! (Illuminating Apathy)
  • Exploitation
  • Let’s Vote
  • Kinetic & Repurposed Objects
  • TILT
  • The Weights of Choice
  • Democracy: It’s a Game
  • Bibi’s Gambit
  • The Omniscient Frame
  • The Mute Oracle
  • Greenspace
  • Subtleties of Indoctrination III
  • Enough is Enough
  • Game Over (the only winning move is not to play)
  • Violation
  • When I Grow Up...
  • The Gamble of Governance
  • What If? (Confronting the Abyss)
  • Time?
  • A Cautionary Tale
  • We Reap What We Sow
  • Us and Them
  • Who's Watching Who
  • The New Religion
  • Childhood Cowboys
  • Subtleties of Indoctrination
  • Made in China
  • Caste #2
  • JUCHE
  • Public Art & Civic Monuments
  • The Common Thread
  • #146
  • LoveLocks
  • 2004 Democratic National Convention
  • Glittering Patterns
  • #401
  • White Fence
  • Depletion
  • Leonard P. Zakim Bunker Hill Poster
  • The Firefighters
  • Social Print & Mixed Media
  • Sins of my Forefathers
  • Crimson Legacy
  • Share A Coke
  • The Great Narcissist
  • UForge Gallery Exhibition Poster
  • The Invasion
Art/CV
Exhibitions
NEWS
Press
HYPERALLERGIC
Contact Me!
Keith Francis
Keith M. Francis
“Press Kit”
American Beauty
  • Durational Performance & Site-Specific Installations
  • UNTITLED
  • The Relative Ground
  • Welcome!
  • White Fence
  • Border Nation
  • Greed! (Illuminating Apathy)
  • Exploitation
  • Let’s Vote
  • Kinetic & Repurposed Objects
  • TILT
  • The Weights of Choice
  • Democracy: It’s a Game
  • Bibi’s Gambit
  • The Omniscient Frame
  • The Mute Oracle
  • Greenspace
  • Subtleties of Indoctrination III
  • Enough is Enough
  • Game Over (the only winning move is not to play)
  • Violation
  • When I Grow Up...
  • The Gamble of Governance
  • What If? (Confronting the Abyss)
  • Time?
  • A Cautionary Tale
  • We Reap What We Sow
  • Us and Them
  • Who's Watching Who
  • The New Religion
  • Childhood Cowboys
  • Subtleties of Indoctrination
  • Made in China
  • Caste #2
  • JUCHE
  • Public Art & Civic Monuments
  • The Common Thread
  • #146
  • LoveLocks
  • 2004 Democratic National Convention
  • Glittering Patterns
  • #401
  • White Fence
  • Depletion
  • Leonard P. Zakim Bunker Hill Poster
  • The Firefighters
  • Social Print & Mixed Media
  • Sins of my Forefathers
  • Crimson Legacy
  • Share A Coke
  • The Great Narcissist
  • UForge Gallery Exhibition Poster
  • The Invasion
Art/CV
Exhibitions
NEWS
Press
HYPERALLERGIC
Contact Me!

A Cautionary Tale

2021, old steel plates, LED backlit monitor with video, wood, enamel, exterior light. 68 X 97 X 10 in.

"A Cautionary Tale" (2021) by Keith Francis. A large-scale multimedia installation featuring weathered steel industrial plates. A sleek, backlit image of a 1960s NASA astronaut is positioned on the left, while an embedded video screen on the right plays black-and-white archival footage of the 1965 Selma Civil Rights protests. The work critiques the paradox of American progress.
"A Cautionary Tale" (2021) by Keith Francis. A large-scale multimedia installation featuring weathered steel industrial plates. A sleek, backlit image of a 1960s NASA astronaut is positioned on the left, while an embedded video screen on the right plays black-and-white archival footage of the 1965 Selma Civil Rights protests. The work critiques the paradox of American progress.

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We Reap What We Sow
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What If? (Confronting the Abyss)
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Childhood Cowboys
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Subtleties of Indoctrination III
37" X 25" X 21", Antique wooden television with LCD screen, black + white video.
TILT
2025, repurposed 1967 Gottlieb pinball machine, with video and sound. 80" X 55" X 25" in. | 203 X 140 X 64 cm
Game Over (the only winning move is not to play)
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Subtleties of Indoctrination
2021, high resolution screen, video, antique metal toy gun, wood, 14 X 16.5 in.
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2024, repurposed slot machine, with custom internal blinking LED lights, 20" X 12" X 10"
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