Keith M. Francis
“Press Kit”
American Beauty
  • Durational Performance & Site-Specific Installations
  • UNTITLED, MELTING.
  • UNTITLED
  • The Relative Ground
  • Welcome!
  • White Fence
  • Border Nation
  • Greed! (Illuminating Apathy)
  • Exploitation
  • Let’s Vote
  • Kinetic & Repurposed Objects
  • When I Grow Up...
  • Time?
  • The Weights of Choice
  • TILT
  • Game Over (the only winning move is not to play)
  • Enough is Enough
  • The Omniscient Frame
  • Greenspace
  • Subtleties of Indoctrination III
  • Bibi’s Gambit
  • Violation
  • We Reap What We Sow
  • What If? (Confronting the Abyss)
  • The Gamble of Governance
  • Who's Watching Who
  • The New Religion
  • Democracy: It’s a Game
  • Childhood Cowboys
  • Made in China
  • Caste #2
  • A Cautionary Tale
  • JUCHE
  • Us and Them
  • Public Art & Civic Monuments
  • The Common Thread
  • #146
  • LoveLocks
  • Glittering Patterns
  • #401
  • White Fence
  • Depletion
  • The Firefighters
  • Social Print & Mixed Media
  • Soft Power (Compressed)
  • Sins of my Forefathers
  • Crimson Legacy
  • The Great Narcissist
Art/CV
Exhibitions
NEWS
Press
HYPERALLERGIC
Contact Me!
Keith Francis
Keith M. Francis
“Press Kit”
American Beauty
  • Durational Performance & Site-Specific Installations
  • UNTITLED, MELTING.
  • UNTITLED
  • The Relative Ground
  • Welcome!
  • White Fence
  • Border Nation
  • Greed! (Illuminating Apathy)
  • Exploitation
  • Let’s Vote
  • Kinetic & Repurposed Objects
  • When I Grow Up...
  • Time?
  • The Weights of Choice
  • TILT
  • Game Over (the only winning move is not to play)
  • Enough is Enough
  • The Omniscient Frame
  • Greenspace
  • Subtleties of Indoctrination III
  • Bibi’s Gambit
  • Violation
  • We Reap What We Sow
  • What If? (Confronting the Abyss)
  • The Gamble of Governance
  • Who's Watching Who
  • The New Religion
  • Democracy: It’s a Game
  • Childhood Cowboys
  • Made in China
  • Caste #2
  • A Cautionary Tale
  • JUCHE
  • Us and Them
  • Public Art & Civic Monuments
  • The Common Thread
  • #146
  • LoveLocks
  • Glittering Patterns
  • #401
  • White Fence
  • Depletion
  • The Firefighters
  • Social Print & Mixed Media
  • Soft Power (Compressed)
  • Sins of my Forefathers
  • Crimson Legacy
  • The Great Narcissist
Art/CV
Exhibitions
NEWS
Press
HYPERALLERGIC
Contact Me!

When I Grow Up...

2015, old steel plates, wood, fiberglass, enamel and latex balloons, 61 X 96 X 15 in., 175 lbs.

Corporate collection in Bellevue, Washington
 “When I Grow Up...” (2015) by Keith Francis. This 61 by 96 by 15-inch installation is centered around a large, white-painted peace sign set against a backdrop of heavily weathered and rusted industrial steel plates salvaged from the Wamsutta Mills. A life-size black stencil of a young boy is suspended in the air, his body central to the peace sign. He grips a small cluster of helium-filled latex balloons (purple, red, blue, green, and yellow) that float above the industrial metal. The artwork uses a salvaged freight door with a deep history of military production to critique the intersecting narratives of childhood play, industry, and war, drawing on the artist’s family ties to the mill and personal memories of the Vietnam War era.

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Enough is Enough
2023, metal, glass, enamel, 14" X 7" X 7" in.
Subtleties of Indoctrination III
37" X 25" X 21", Antique wooden television with LCD screen, black + white video.
We Reap What We Sow
2024, found object; 55" X 14.5" X 14"
The Weights of Choice
2024, Plaster and Epoxy, 4" X 6" X 4" each (comprising 7 individual elements)
Time?
2024, Civil Defense Vintage Geiger counter, Quartz Clock; 9" X 4.5" X 3.5".
Made in China
2023, 34" X 60", 100% Cotton
Us and Them
2019, repurposed 1968 Gottlieb pinball machine, 70" X 56" X 29" in | 178 X 142 X 74 cm
JUCHE
2018, wood, rice cake, paint 9” X 9” X 1.5” in.
Caste #2
2024, wood and latex paint, 6.5" X 22.5" X 5" in (each). Overall display 54" tall x 22.5" width.
TILT
2025, repurposed 1967 Gottlieb pinball machine, with video and sound. 80" X 55" X 25" in. | 203 X 140 X 64 cm
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