Keith M. Francis
Art/CV
“Press Kit”
American Beauty
  • Installations & Conceptual Works
  • The Unspoken Veil
  • UNTITLED, MELTING
  • UNTITLED
  • Welcome!
  • White Fence
  • Border Nation
  • Greed! (Illuminating Apathy)
  • Exploitation
  • Let’s Vote
  • Sculpture & Assemblage
  • Unseated
  • When I Grow Up...
  • Time?
  • The Weights of Choice
  • TILT
  • Game Over (the only winning move is not to play)
  • Enough is Enough
  • The Omniscient Frame
  • Greenspace
  • Subtleties of Indoctrination III
  • Bibi’s Gambit
  • Violation
  • We Reap What We Sow
  • What If? (Confronting the Abyss)
  • The Gamble of Governance
  • Who's Watching Who
  • The New Religion
  • Democracy: It’s a Game
  • Childhood Cowboys
  • Made in China
  • Caste #2
  • A Cautionary Tale
  • JUCHE
  • Us and Them
  • Public Art & Commissions
  • Mother Nature: The Common Thread
  • The Common Thread
  • #146
  • LoveLocks
  • Glittering Patterns
  • #401
  • White Fence
  • Ole Miss: University of Mississippi
  • The Firefighters
  • Mixed Media & Relief
  • Shirley Temple
  • Soft Power (Compressed)
  • Sins of my Forefathers
  • Crimson Legacy
  • The Great Narcissist
  • Share A Coke
Exhibitions
NEWS
Press
HYPERALLERGIC
Contact Me!
Keith Francis
Keith M. Francis
Art/CV
“Press Kit”
American Beauty
  • Installations & Conceptual Works
  • The Unspoken Veil
  • UNTITLED, MELTING
  • UNTITLED
  • Welcome!
  • White Fence
  • Border Nation
  • Greed! (Illuminating Apathy)
  • Exploitation
  • Let’s Vote
  • Sculpture & Assemblage
  • Unseated
  • When I Grow Up...
  • Time?
  • The Weights of Choice
  • TILT
  • Game Over (the only winning move is not to play)
  • Enough is Enough
  • The Omniscient Frame
  • Greenspace
  • Subtleties of Indoctrination III
  • Bibi’s Gambit
  • Violation
  • We Reap What We Sow
  • What If? (Confronting the Abyss)
  • The Gamble of Governance
  • Who's Watching Who
  • The New Religion
  • Democracy: It’s a Game
  • Childhood Cowboys
  • Made in China
  • Caste #2
  • A Cautionary Tale
  • JUCHE
  • Us and Them
  • Public Art & Commissions
  • Mother Nature: The Common Thread
  • The Common Thread
  • #146
  • LoveLocks
  • Glittering Patterns
  • #401
  • White Fence
  • Ole Miss: University of Mississippi
  • The Firefighters
  • Mixed Media & Relief
  • Shirley Temple
  • Soft Power (Compressed)
  • Sins of my Forefathers
  • Crimson Legacy
  • The Great Narcissist
  • Share A Coke
Exhibitions
NEWS
Press
HYPERALLERGIC
Contact Me!

When I Grow Up...

2015, old steel plates, wood, fiberglass, enamel and latex balloons, 61 X 96 X 15 in., 175 lbs.

Corporate collection in Bellevue, Washington
 “When I Grow Up...” (2015) by Keith Francis. This 61 by 96 by 15-inch installation is centered around a large, white-painted peace sign set against a backdrop of heavily weathered and rusted industrial steel plates salvaged from the Wamsutta Mills. A life-size black stencil of a young boy is suspended in the air, his body central to the peace sign. He grips a small cluster of helium-filled latex balloons (purple, red, blue, green, and yellow) that float above the industrial metal. The artwork uses a salvaged freight door with a deep history of military production to critique the intersecting narratives of childhood play, industry, and war, drawing on the artist’s family ties to the mill and personal memories of the Vietnam War era.

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The Gamble of Governance
2024, repurposed slot machine, with custom internal blinking LED lights, 20" X 12" X 10"
Democracy: It’s a Game
2018, repurposed 1969 Gottlieb pinball machine, wood, graphics, glass and electronics. 60" X 56" X 29" in | 178 X 142 X 74 cm
Game Over (the only winning move is not to play)
2020, repurposed 1968 Gottlieb pinball machine, 70" X 56" X 29" in | 178 X 142 X 74 cm
A Cautionary Tale
2021, old steel plates, LED backlit monitor with video, wood, enamel, exterior light. 68 X 97 X 10 in.
Greenspace
2024, mixed media; 50" X 50" X 2"
Enough is Enough
2023, metal, glass, enamel, 14" X 7" X 7" in.
Violation
2020, repurposed parking meter, aluminum pole, stainless steel base. 54 X 10 X 10 in.
Time?
2024, Civil Defense Vintage Geiger counter, Quartz Clock; 9" X 4.5" X 3.5".
Who's Watching Who
2015, stainless steel, plastic and internal electronics, 28 X 24 X 24 in.
Childhood Cowboys
2022, wood, enamel, LCD screen, video and antique child’s wagon, 60 X 60 X 30 in.
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