Keith M. Francis
Art/CV
“Press Kit”
American Beauty
  • Installations & Conceptual Works
  • The Unspoken Veil
  • UNTITLED, MELTING
  • UNTITLED
  • The Relative Ground
  • Welcome!
  • White Fence
  • Border Nation
  • Greed! (Illuminating Apathy)
  • Exploitation
  • Let’s Vote
  • Sculpture & Assemblage
  • Unseated
  • When I Grow Up...
  • Time?
  • The Weights of Choice
  • TILT
  • Game Over (the only winning move is not to play)
  • Enough is Enough
  • The Omniscient Frame
  • Greenspace
  • Subtleties of Indoctrination III
  • Bibi’s Gambit
  • Violation
  • We Reap What We Sow
  • What If? (Confronting the Abyss)
  • The Gamble of Governance
  • Who's Watching Who
  • The New Religion
  • Democracy: It’s a Game
  • Childhood Cowboys
  • Made in China
  • Caste #2
  • A Cautionary Tale
  • JUCHE
  • Us and Them
  • Public Art & Commissions
  • Mother Nature: The Common Thread
  • The Common Thread
  • #146
  • LoveLocks
  • Glittering Patterns
  • #401
  • White Fence
  • Ole Miss: University of Mississippi
  • The Firefighters
  • Mixed Media & Relief
  • Shirley Temple
  • Soft Power (Compressed)
  • Sins of my Forefathers
  • Crimson Legacy
  • The Great Narcissist
  • Share A Coke
Exhibitions
NEWS
Press
HYPERALLERGIC
Contact Me!
Keith Francis
Keith M. Francis
Art/CV
“Press Kit”
American Beauty
  • Installations & Conceptual Works
  • The Unspoken Veil
  • UNTITLED, MELTING
  • UNTITLED
  • The Relative Ground
  • Welcome!
  • White Fence
  • Border Nation
  • Greed! (Illuminating Apathy)
  • Exploitation
  • Let’s Vote
  • Sculpture & Assemblage
  • Unseated
  • When I Grow Up...
  • Time?
  • The Weights of Choice
  • TILT
  • Game Over (the only winning move is not to play)
  • Enough is Enough
  • The Omniscient Frame
  • Greenspace
  • Subtleties of Indoctrination III
  • Bibi’s Gambit
  • Violation
  • We Reap What We Sow
  • What If? (Confronting the Abyss)
  • The Gamble of Governance
  • Who's Watching Who
  • The New Religion
  • Democracy: It’s a Game
  • Childhood Cowboys
  • Made in China
  • Caste #2
  • A Cautionary Tale
  • JUCHE
  • Us and Them
  • Public Art & Commissions
  • Mother Nature: The Common Thread
  • The Common Thread
  • #146
  • LoveLocks
  • Glittering Patterns
  • #401
  • White Fence
  • Ole Miss: University of Mississippi
  • The Firefighters
  • Mixed Media & Relief
  • Shirley Temple
  • Soft Power (Compressed)
  • Sins of my Forefathers
  • Crimson Legacy
  • The Great Narcissist
  • Share A Coke
Exhibitions
NEWS
Press
HYPERALLERGIC
Contact Me!

When I Grow Up...

2015, old steel plates, wood, fiberglass, enamel and latex balloons, 61 X 96 X 15 in., 175 lbs.

Corporate collection in Bellevue, Washington
 “When I Grow Up...” (2015) by Keith Francis. This 61 by 96 by 15-inch installation is centered around a large, white-painted peace sign set against a backdrop of heavily weathered and rusted industrial steel plates salvaged from the Wamsutta Mills. A life-size black stencil of a young boy is suspended in the air, his body central to the peace sign. He grips a small cluster of helium-filled latex balloons (purple, red, blue, green, and yellow) that float above the industrial metal. The artwork uses a salvaged freight door with a deep history of military production to critique the intersecting narratives of childhood play, industry, and war, drawing on the artist’s family ties to the mill and personal memories of the Vietnam War era.

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Game Over (the only winning move is not to play)
2020, repurposed 1968 Gottlieb pinball machine, 70" X 56" X 29" in | 178 X 142 X 74 cm
A Cautionary Tale
2021, old steel plates, LED backlit monitor with video, wood, enamel, exterior light. 68 X 97 X 10 in.
The New Religion
2024, LED electronics, computer processor, wood, velvet, brass; 25" X 16" X 3.25".
TILT
2025, repurposed 1967 Gottlieb pinball machine, with video and sound. 80" X 55" X 25" in. | 203 X 140 X 64 cm
What If? (Confronting the Abyss)
2023, Mixed media on steel, neon glass text, 48" X 48" X 6".
Democracy: It’s a Game
2018, repurposed 1969 Gottlieb pinball machine, wood, graphics, glass and electronics. 60" X 56" X 29" in | 178 X 142 X 74 cm
Unseated
2026, Welded stripped steel classroom frames, weld scale, natural patina 53 × 60 × 60 in.
We Reap What We Sow
2024, found object; 55" X 14.5" X 14"
JUCHE
2018, wood, rice cake, paint 9” X 9” X 1.5” in.
Bibi’s Gambit
2024, antique brass menorah, .50 BMG cartridges, 9" X 17" X 4"
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