Kim Jong-un the North Korean politician who is Supreme Leader of North Korea.
Available for purchase: $900
In a bold and thought-provoking commentary on the intersection of politics and culture, artist Keith Francis presents a contemporary artwork featuring the image of North Korea's Supreme Leader painted on a rice cake. This striking choice of medium—an edible, culturally significant staple—serves as a poignant metaphor for the fragility of power and the consumption of propaganda in authoritarian regimes.
By using rice cakes, which are commonplace in Korean cuisine, Francis juxtaposes the nourishment of everyday life with the often oppressive realities of living under a totalitarian state. The vibrant portrayal of the Supreme Leader invites viewers to reflect on the pervasive nature of state propaganda and the idolization of political figures. This approach resonates with contemporary artists such as Ai Weiwei and JR, who similarly utilize everyday materials and imagery to challenge and critique authority, power structures, and societal norms.
Beneath the rice cake, a prominent warning label outlines the rules and violations of the authoritarian state, creating a stark contrast between the aesthetic appeal of the artwork and the grim realities it represents. This duality invites viewers to consider the disconnect between the facade of leadership and the underlying oppression experienced by the citizens. Such a tactic echoes the artistic strategies of feminist artist Jenny Holzer, who uses text in public spaces to confront viewers with critical social and political issues.
Francis's work not only critiques the glorification of authoritarian figures but also serves as commentary on the broader implications of consuming propaganda within society. It prompts reflection on how easily ideals and narratives can be packaged and consumed, much like food, while glossing over the harsh truths that lie beneath the surface.
In doing so, "JUCHE" engages in a vital conversation about the role of art in addressing political realities, compelling viewers to confront their own relationships with power, consumption, and the narratives that shape their understanding of authority. As a contemporary piece, it underscores art's potential to provoke dialogue and inspire critical thought about the complexities of governance and the human experience.
