Keith M. Francis
“Press Kit”
American Beauty
  • Installations & Conceptual Works
  • The Unspoken Veil
  • UNTITLED, MELTING
  • UNTITLED
  • The Relative Ground
  • Welcome!
  • White Fence
  • Border Nation
  • Greed! (Illuminating Apathy)
  • Exploitation
  • Let’s Vote
  • Sculpture & Assemblage
  • When I Grow Up...
  • Time?
  • The Weights of Choice
  • TILT
  • Game Over (the only winning move is not to play)
  • Enough is Enough
  • The Omniscient Frame
  • Greenspace
  • Subtleties of Indoctrination III
  • Bibi’s Gambit
  • Violation
  • We Reap What We Sow
  • What If? (Confronting the Abyss)
  • The Gamble of Governance
  • Who's Watching Who
  • The New Religion
  • Democracy: It’s a Game
  • Childhood Cowboys
  • Made in China
  • Caste #2
  • A Cautionary Tale
  • JUCHE
  • Us and Them
  • Public Art & Commissions
  • Mother Nature: The Common Thread
  • The Common Thread
  • #146
  • LoveLocks
  • Glittering Patterns
  • #401
  • White Fence
  • Ole Miss: University of Mississippi
  • The Firefighters
  • Mixed Media & Relief
  • Shirley Temple
  • Soft Power (Compressed)
  • Sins of my Forefathers
  • Crimson Legacy
  • The Great Narcissist
  • Share A Coke
Art/CV
Exhibitions
NEWS
Press
HYPERALLERGIC
Contact Me!
Keith Francis
Keith M. Francis
“Press Kit”
American Beauty
  • Installations & Conceptual Works
  • The Unspoken Veil
  • UNTITLED, MELTING
  • UNTITLED
  • The Relative Ground
  • Welcome!
  • White Fence
  • Border Nation
  • Greed! (Illuminating Apathy)
  • Exploitation
  • Let’s Vote
  • Sculpture & Assemblage
  • When I Grow Up...
  • Time?
  • The Weights of Choice
  • TILT
  • Game Over (the only winning move is not to play)
  • Enough is Enough
  • The Omniscient Frame
  • Greenspace
  • Subtleties of Indoctrination III
  • Bibi’s Gambit
  • Violation
  • We Reap What We Sow
  • What If? (Confronting the Abyss)
  • The Gamble of Governance
  • Who's Watching Who
  • The New Religion
  • Democracy: It’s a Game
  • Childhood Cowboys
  • Made in China
  • Caste #2
  • A Cautionary Tale
  • JUCHE
  • Us and Them
  • Public Art & Commissions
  • Mother Nature: The Common Thread
  • The Common Thread
  • #146
  • LoveLocks
  • Glittering Patterns
  • #401
  • White Fence
  • Ole Miss: University of Mississippi
  • The Firefighters
  • Mixed Media & Relief
  • Shirley Temple
  • Soft Power (Compressed)
  • Sins of my Forefathers
  • Crimson Legacy
  • The Great Narcissist
  • Share A Coke
Art/CV
Exhibitions
NEWS
Press
HYPERALLERGIC
Contact Me!

The Omniscient Frame

2025, antique gilded frame, wood, video LCD screen, internal electronics, 22" X 22" X 6"

"The Omniscient Frame," a multimedia sculpture by Keith Francis. A circular, antique gilded frame is mounted onto a black disc against a white wall. At the center is a circular screen displaying a high-contrast, black-and-white video of a human eye. The eye is stylized and appears to be observing the viewer from within the ornate gold border.
"The Omniscient Frame," a multimedia sculpture by Keith Francis. A circular, antique gilded frame is mounted onto a black disc against a white wall. At the center is a circular screen displaying a high-contrast, black-and-white video of a human eye. The eye is stylized and appears to be observing the viewer from within the ornate gold border.
"The Omniscient Frame," a multimedia sculpture by Keith Francis. A circular, antique gilded frame is mounted onto a black disc against a white wall. At the center is a circular screen displaying a high-contrast, black-and-white video of a human eye. The eye is stylized and appears to be observing the viewer from within the ornate gold border.

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Caste #2
2024, wood and latex paint, 6.5" X 22.5" X 5" in (each). Overall display 54" tall x 22.5" width.
Time?
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JUCHE
2018, wood, rice cake, paint 9” X 9” X 1.5” in.
Violation
2020, repurposed parking meter, aluminum pole, stainless steel base. 54 X 10 X 10 in.
Greenspace
2024, mixed media; 50" X 50" X 2"
Bibi’s Gambit
2024, antique brass menorah, .50 BMG cartridges, 9" X 17" X 4"
Democracy: It’s a Game
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Game Over (the only winning move is not to play)
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