Keith M. Francis
American Beauty
  • Durational Performance & Site-Specific Installations
  • UNTITLED
  • The Relative Ground
  • Welcome!
  • White Fence
  • Border Nation
  • Greed! (Illuminating Apathy)
  • Exploitation
  • Let’s Vote
  • Kinetic & Repurposed Objects
  • TILT
  • The Weights of Choice
  • Democracy: It’s a Game
  • Bibi’s Gambit
  • The Omniscient Frame
  • The Mute Oracle
  • Greenspace
  • Subtleties of Indoctrination III
  • Enough is Enough
  • Game Over (the only winning move is not to play)
  • Violation
  • When I Grow Up...
  • The Gamble of Governance
  • What If? (Confronting the Abyss)
  • Time?
  • A Cautionary Tale
  • We Reap What We Sow
  • Us and Them
  • Who's Watching Who
  • The New Religion
  • Childhood Cowboys
  • Subtleties of Indoctrination
  • Made in China
  • Caste #2
  • JUCHE
  • Public Art & Civic Monuments
  • The Common Thread
  • #146
  • LoveLocks
  • 2004 Democratic National Convention
  • Glittering Patterns
  • Redmond Airport
  • #401
  • White Fence
  • Depletion
  • Leonard P. Zakim Bunker Hill Poster
  • The Firefighters
  • Social Print & Mixed Media
  • Sins of my Forefathers
  • Crimson Legacy
  • Share A Coke
  • The Great Narcissist
  • UForge Gallery Exhibition Poster
  • The Invasion
Art/CV
Exhibitions
NEWS
Press
Contact Me!
Keith Francis
Keith M. Francis
American Beauty
  • Durational Performance & Site-Specific Installations
  • UNTITLED
  • The Relative Ground
  • Welcome!
  • White Fence
  • Border Nation
  • Greed! (Illuminating Apathy)
  • Exploitation
  • Let’s Vote
  • Kinetic & Repurposed Objects
  • TILT
  • The Weights of Choice
  • Democracy: It’s a Game
  • Bibi’s Gambit
  • The Omniscient Frame
  • The Mute Oracle
  • Greenspace
  • Subtleties of Indoctrination III
  • Enough is Enough
  • Game Over (the only winning move is not to play)
  • Violation
  • When I Grow Up...
  • The Gamble of Governance
  • What If? (Confronting the Abyss)
  • Time?
  • A Cautionary Tale
  • We Reap What We Sow
  • Us and Them
  • Who's Watching Who
  • The New Religion
  • Childhood Cowboys
  • Subtleties of Indoctrination
  • Made in China
  • Caste #2
  • JUCHE
  • Public Art & Civic Monuments
  • The Common Thread
  • #146
  • LoveLocks
  • 2004 Democratic National Convention
  • Glittering Patterns
  • Redmond Airport
  • #401
  • White Fence
  • Depletion
  • Leonard P. Zakim Bunker Hill Poster
  • The Firefighters
  • Social Print & Mixed Media
  • Sins of my Forefathers
  • Crimson Legacy
  • Share A Coke
  • The Great Narcissist
  • UForge Gallery Exhibition Poster
  • The Invasion
Art/CV
Exhibitions
NEWS
Press
Contact Me!

Who's Watching Who

2015, stainless steel, plastic and internal electronics, 28 X 24 X 24 in.

“Who’s Watching Who,” 2015, by Keith Francis. This 28 x 24 x 24-inch sculpture consists of five white and black security cameras mounted on the ends of adjustable, heavy-duty stainless steel conduits. The cables emerge from a central base like metallic tentacles, allowing the cameras to "peer" in multiple directions simultaneously. The work critiques mass surveillance and the erosion of privacy.
“Who’s Watching Who,” 2015, by Keith Francis. This 28 x 24 x 24-inch sculpture consists of five white and black security cameras mounted on the ends of adjustable, heavy-duty stainless steel conduits. The cables emerge from a central base like metallic tentacles, allowing the cameras to "peer" in multiple directions simultaneously. The work critiques mass surveillance and the erosion of privacy.

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TILT
2026, repurposed 1967 Gottlieb pinball machine, with video and sound. 80" X 55" X 25" in. | 203 X 140 X 64 cm
What If? (Confronting the Abyss)
2023, Mixed media on steel, neon glass text, 48" X 48" X 6".
We Reap What We Sow
2024, found object; 55" X 14.5" X 14"
Us and Them
2019, repurposed 1968 Gottlieb pinball machine, 70" X 56" X 29" in | 178 X 142 X 74 cm
Bibi’s Gambit
2024, antique brass menorah, .50 BMG cartridges, 9" X 17" X 4"
Childhood Cowboys
2022, wood, enamel, LCD screen, video and antique child’s wagon, 60 X 60 X 30 in.
Time?
2024, Civil Defense Vintage Geiger counter, Quartz Clock; 9" X 4.5" X 3.5".
Subtleties of Indoctrination III
37" X 25" X 21", Antique wooden television with LCD screen, black + white video.
The Mute Oracle
2025, 3D-printed form, metallic paint, white paint, Antique Chinese hardwood wooden vase stand, paper fortunes. 14" X 10" X 10" in. | 36 X 25 X 25 cm
The Omniscient Frame
2025, antique gilded frame, wood, video LCD screen, internal electronics, 22" X 22" X 6"
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