Crimson Legacy

2024, oil, acrylic on canvas; antique gold wooden frame; 38" X 32" X 4".

A conceptual artwork titled "Crimson Legacy" by Keith Francis (2024). The piece features a framed, traditional, oil-on-canvas portrait, set within a heavy, ornate, gilded antique wooden frame. The portrait itself is a reproduction of Sebastiano del Piombo's posthumous portrait of Christopher Colombo (1519). A large, dramatic, and opaque splash of crimson red acrylic paint has been violently thrown across the left and bottom-left portions of the canvas. The red paint forms a textured mass that completely covers Colombo's left arm, most of his torso, and drips down the left side, with splatters reaching near his face and the top of his black hat. The part of the painting that remains visible shows Colombo's face looking forward, his white ruffled collar, and part of his dark cloak. The entire work is enclosed in a secondary, plain gold-painted wooden frame. At the bottom-center of this outer frame, a small, polished brass title plate is mounted, bearing the hand-engraved text "Cristoforo Colombo." The work is a critique of the violent colonial legacy of Christopher Columbus.
A conceptual artwork titled "Crimson Legacy" by Keith Francis (2024). The piece features a framed, traditional, oil-on-canvas portrait, set within a heavy, ornate, gilded antique wooden frame. The portrait itself is a reproduction of Sebastiano del Piombo's posthumous portrait of Christopher Colombo (1519). A large, dramatic, and opaque splash of crimson red acrylic paint has been violently thrown across the left and bottom-left portions of the canvas. The red paint forms a textured mass that completely covers Colombo's left arm, most of his torso, and drips down the left side, with splatters reaching near his face and the top of his black hat. The part of the painting that remains visible shows Colombo's face looking forward, his white ruffled collar, and part of his dark cloak. The entire work is enclosed in a secondary, plain gold-painted wooden frame. At the bottom-center of this outer frame, a small, polished brass title plate is mounted, bearing the hand-engraved text "Cristoforo Colombo." The work is a critique of the violent colonial legacy of Christopher Columbus.

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