Keith M. Francis
“Press Kit”
American Beauty
  • Installations & Conceptual Works
  • The Unspoken Veil
  • UNTITLED, MELTING
  • UNTITLED
  • The Relative Ground
  • Welcome!
  • White Fence
  • Border Nation
  • Greed! (Illuminating Apathy)
  • Exploitation
  • Let’s Vote
  • Sculpture & Assemblage
  • When I Grow Up...
  • Time?
  • The Weights of Choice
  • TILT
  • Game Over (the only winning move is not to play)
  • Enough is Enough
  • The Omniscient Frame
  • Greenspace
  • Subtleties of Indoctrination III
  • Bibi’s Gambit
  • Violation
  • We Reap What We Sow
  • What If? (Confronting the Abyss)
  • The Gamble of Governance
  • Who's Watching Who
  • The New Religion
  • Democracy: It’s a Game
  • Childhood Cowboys
  • Made in China
  • Caste #2
  • A Cautionary Tale
  • JUCHE
  • Us and Them
  • Public Art & Commissions
  • Mother Nature: The Common Thread
  • The Common Thread
  • #146
  • LoveLocks
  • Glittering Patterns
  • #401
  • White Fence
  • Ole Miss: University of Mississippi
  • The Firefighters
  • Mixed Media & Relief
  • Shirley Temple
  • Soft Power (Compressed)
  • Sins of my Forefathers
  • Crimson Legacy
  • The Great Narcissist
  • Share A Coke
Art/CV
Exhibitions
NEWS
Press
HYPERALLERGIC
Contact Me!
Keith Francis
Keith M. Francis
“Press Kit”
American Beauty
  • Installations & Conceptual Works
  • The Unspoken Veil
  • UNTITLED, MELTING
  • UNTITLED
  • The Relative Ground
  • Welcome!
  • White Fence
  • Border Nation
  • Greed! (Illuminating Apathy)
  • Exploitation
  • Let’s Vote
  • Sculpture & Assemblage
  • When I Grow Up...
  • Time?
  • The Weights of Choice
  • TILT
  • Game Over (the only winning move is not to play)
  • Enough is Enough
  • The Omniscient Frame
  • Greenspace
  • Subtleties of Indoctrination III
  • Bibi’s Gambit
  • Violation
  • We Reap What We Sow
  • What If? (Confronting the Abyss)
  • The Gamble of Governance
  • Who's Watching Who
  • The New Religion
  • Democracy: It’s a Game
  • Childhood Cowboys
  • Made in China
  • Caste #2
  • A Cautionary Tale
  • JUCHE
  • Us and Them
  • Public Art & Commissions
  • Mother Nature: The Common Thread
  • The Common Thread
  • #146
  • LoveLocks
  • Glittering Patterns
  • #401
  • White Fence
  • Ole Miss: University of Mississippi
  • The Firefighters
  • Mixed Media & Relief
  • Shirley Temple
  • Soft Power (Compressed)
  • Sins of my Forefathers
  • Crimson Legacy
  • The Great Narcissist
  • Share A Coke
Art/CV
Exhibitions
NEWS
Press
HYPERALLERGIC
Contact Me!

Game Over (the only winning move is not to play)

2020, repurposed 1968 Gottlieb pinball machine, 70" X 56" X 29" in | 178 X 142 X 74 cm

Best of SouthCoast 
June 12 - August 31, 2025
Selected by Carmen Hermo, Curator of Contemporary Art, Museum of Fine Arts Boston
"Game Over" by Keith Francis, a repurposed 1968 Gottlieb pinball machine transformed into a multimedia sculpture exploring nuclear warfare. The machine features "Nagasaki" and "Hiroshima" in the scoring areas, missile-shaped bumpers, and an integrated video screen showing historical footage of J. Robert Oppenheimer. This piece was part of the body of work for which the artist received the "Best of SouthCoast" award, juried by a curator from the Museum of Fine Arts Boston.
"Game Over" by Keith Francis, a repurposed 1968 Gottlieb pinball machine transformed into a multimedia sculpture exploring nuclear warfare. The machine features "Nagasaki" and "Hiroshima" in the scoring areas, missile-shaped bumpers, and an integrated video screen showing historical footage of J. Robert Oppenheimer. This piece was part of the body of work for which the artist received the "Best of SouthCoast" award, juried by a curator from the Museum of Fine Arts Boston.
"Game Over" by Keith Francis, a repurposed 1968 Gottlieb pinball machine transformed into a multimedia sculpture exploring nuclear warfare. The machine features "Nagasaki" and "Hiroshima" in the scoring areas, missile-shaped bumpers, and an integrated video screen showing historical footage of J. Robert Oppenheimer. This piece was part of the body of work for which the artist received the "Best of SouthCoast" award, juried by a curator from the Museum of Fine Arts Boston.
"Game Over" by Keith Francis, a repurposed 1968 Gottlieb pinball machine transformed into a multimedia sculpture exploring nuclear warfare. The machine features "Nagasaki" and "Hiroshima" in the scoring areas, missile-shaped bumpers, and an integrated video screen showing historical footage of J. Robert Oppenheimer. This piece was part of the body of work for which the artist received the "Best of SouthCoast" award, juried by a curator from the Museum of Fine Arts Boston.
"Game Over" by Keith Francis, a repurposed 1968 Gottlieb pinball machine transformed into a multimedia sculpture exploring nuclear warfare. The machine features "Nagasaki" and "Hiroshima" in the scoring areas, missile-shaped bumpers, and an integrated video screen showing historical footage of J. Robert Oppenheimer. This piece was part of the body of work for which the artist received the "Best of SouthCoast" award, juried by a curator from the Museum of Fine Arts Boston.

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