Keith M. Francis
“Press Kit”
American Beauty
  • Durational Performance & Site-Specific Installations
  • UNTITLED, MELTING.
  • UNTITLED
  • The Relative Ground
  • Welcome!
  • White Fence
  • Border Nation
  • Greed! (Illuminating Apathy)
  • Exploitation
  • Let’s Vote
  • Kinetic & Repurposed Objects
  • Time?
  • TILT
  • The Weights of Choice
  • Democracy: It’s a Game
  • Bibi’s Gambit
  • The Omniscient Frame
  • The Mute Oracle
  • Greenspace
  • Subtleties of Indoctrination III
  • Enough is Enough
  • Game Over (the only winning move is not to play)
  • Violation
  • When I Grow Up...
  • The Gamble of Governance
  • What If? (Confronting the Abyss)
  • A Cautionary Tale
  • We Reap What We Sow
  • Us and Them
  • Who's Watching Who
  • The New Religion
  • Childhood Cowboys
  • Subtleties of Indoctrination
  • Made in China
  • Caste #2
  • JUCHE
  • Public Art & Civic Monuments
  • The Common Thread
  • #146
  • LoveLocks
  • 2004 Democratic National Convention
  • Glittering Patterns
  • #401
  • White Fence
  • Depletion
  • Leonard P. Zakim Bunker Hill Poster
  • The Firefighters
  • Social Print & Mixed Media
  • Sins of my Forefathers
  • Crimson Legacy
  • Share A Coke
  • The Great Narcissist
  • UForge Gallery Exhibition Poster
  • The Invasion
Art/CV
Exhibitions
NEWS
Press
HYPERALLERGIC
Contact Me!
Keith Francis
Keith M. Francis
“Press Kit”
American Beauty
  • Durational Performance & Site-Specific Installations
  • UNTITLED, MELTING.
  • UNTITLED
  • The Relative Ground
  • Welcome!
  • White Fence
  • Border Nation
  • Greed! (Illuminating Apathy)
  • Exploitation
  • Let’s Vote
  • Kinetic & Repurposed Objects
  • Time?
  • TILT
  • The Weights of Choice
  • Democracy: It’s a Game
  • Bibi’s Gambit
  • The Omniscient Frame
  • The Mute Oracle
  • Greenspace
  • Subtleties of Indoctrination III
  • Enough is Enough
  • Game Over (the only winning move is not to play)
  • Violation
  • When I Grow Up...
  • The Gamble of Governance
  • What If? (Confronting the Abyss)
  • A Cautionary Tale
  • We Reap What We Sow
  • Us and Them
  • Who's Watching Who
  • The New Religion
  • Childhood Cowboys
  • Subtleties of Indoctrination
  • Made in China
  • Caste #2
  • JUCHE
  • Public Art & Civic Monuments
  • The Common Thread
  • #146
  • LoveLocks
  • 2004 Democratic National Convention
  • Glittering Patterns
  • #401
  • White Fence
  • Depletion
  • Leonard P. Zakim Bunker Hill Poster
  • The Firefighters
  • Social Print & Mixed Media
  • Sins of my Forefathers
  • Crimson Legacy
  • Share A Coke
  • The Great Narcissist
  • UForge Gallery Exhibition Poster
  • The Invasion
Art/CV
Exhibitions
NEWS
Press
HYPERALLERGIC
Contact Me!

Game Over (the only winning move is not to play)

2020, repurposed 1968 Gottlieb pinball machine, 70" X 56" X 29" in | 178 X 142 X 74 cm

Best of SouthCoast 
June 12 - August 31, 2025
Selected by Carmen Hermo, Curator of Contemporary Art, Museum of Fine Arts Boston
"Game Over" by Keith Francis, a repurposed 1968 Gottlieb pinball machine transformed into a multimedia sculpture exploring nuclear warfare. The machine features "Nagasaki" and "Hiroshima" in the scoring areas, missile-shaped bumpers, and an integrated video screen showing historical footage of J. Robert Oppenheimer. This piece was part of the body of work for which the artist received the "Best of SouthCoast" award, juried by a curator from the Museum of Fine Arts Boston.
"Game Over" by Keith Francis, a repurposed 1968 Gottlieb pinball machine transformed into a multimedia sculpture exploring nuclear warfare. The machine features "Nagasaki" and "Hiroshima" in the scoring areas, missile-shaped bumpers, and an integrated video screen showing historical footage of J. Robert Oppenheimer. This piece was part of the body of work for which the artist received the "Best of SouthCoast" award, juried by a curator from the Museum of Fine Arts Boston.
"Game Over" by Keith Francis, a repurposed 1968 Gottlieb pinball machine transformed into a multimedia sculpture exploring nuclear warfare. The machine features "Nagasaki" and "Hiroshima" in the scoring areas, missile-shaped bumpers, and an integrated video screen showing historical footage of J. Robert Oppenheimer. This piece was part of the body of work for which the artist received the "Best of SouthCoast" award, juried by a curator from the Museum of Fine Arts Boston.
"Game Over" by Keith Francis, a repurposed 1968 Gottlieb pinball machine transformed into a multimedia sculpture exploring nuclear warfare. The machine features "Nagasaki" and "Hiroshima" in the scoring areas, missile-shaped bumpers, and an integrated video screen showing historical footage of J. Robert Oppenheimer. This piece was part of the body of work for which the artist received the "Best of SouthCoast" award, juried by a curator from the Museum of Fine Arts Boston.
"Game Over" by Keith Francis, a repurposed 1968 Gottlieb pinball machine transformed into a multimedia sculpture exploring nuclear warfare. The machine features "Nagasaki" and "Hiroshima" in the scoring areas, missile-shaped bumpers, and an integrated video screen showing historical footage of J. Robert Oppenheimer. This piece was part of the body of work for which the artist received the "Best of SouthCoast" award, juried by a curator from the Museum of Fine Arts Boston.

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