Keith M. Francis
“Press Kit”
American Beauty
  • Installations & Conceptual Works
  • The Unspoken Veil
  • UNTITLED, MELTING
  • UNTITLED
  • The Relative Ground
  • Welcome!
  • White Fence
  • Border Nation
  • Greed! (Illuminating Apathy)
  • Exploitation
  • Let’s Vote
  • Sculpture & Assemblage
  • When I Grow Up...
  • Time?
  • The Weights of Choice
  • TILT
  • Game Over (the only winning move is not to play)
  • Enough is Enough
  • The Omniscient Frame
  • Greenspace
  • Subtleties of Indoctrination III
  • Bibi’s Gambit
  • Violation
  • We Reap What We Sow
  • What If? (Confronting the Abyss)
  • The Gamble of Governance
  • Who's Watching Who
  • The New Religion
  • Democracy: It’s a Game
  • Childhood Cowboys
  • Made in China
  • Caste #2
  • A Cautionary Tale
  • JUCHE
  • Us and Them
  • Public Art & Commissions
  • The Common Thread
  • #146
  • LoveLocks
  • Glittering Patterns
  • #401
  • White Fence
  • Depletion
  • Ole Miss: University of Mississippi
  • The Firefighters
  • Mixed Media & Relief
  • Shirley Temple
  • Soft Power (Compressed)
  • Sins of my Forefathers
  • Crimson Legacy
  • The Great Narcissist
  • Share A Coke
Art/CV
Exhibitions
NEWS
Press
HYPERALLERGIC
Contact Me!
Keith Francis
Keith M. Francis
“Press Kit”
American Beauty
  • Installations & Conceptual Works
  • The Unspoken Veil
  • UNTITLED, MELTING
  • UNTITLED
  • The Relative Ground
  • Welcome!
  • White Fence
  • Border Nation
  • Greed! (Illuminating Apathy)
  • Exploitation
  • Let’s Vote
  • Sculpture & Assemblage
  • When I Grow Up...
  • Time?
  • The Weights of Choice
  • TILT
  • Game Over (the only winning move is not to play)
  • Enough is Enough
  • The Omniscient Frame
  • Greenspace
  • Subtleties of Indoctrination III
  • Bibi’s Gambit
  • Violation
  • We Reap What We Sow
  • What If? (Confronting the Abyss)
  • The Gamble of Governance
  • Who's Watching Who
  • The New Religion
  • Democracy: It’s a Game
  • Childhood Cowboys
  • Made in China
  • Caste #2
  • A Cautionary Tale
  • JUCHE
  • Us and Them
  • Public Art & Commissions
  • The Common Thread
  • #146
  • LoveLocks
  • Glittering Patterns
  • #401
  • White Fence
  • Depletion
  • Ole Miss: University of Mississippi
  • The Firefighters
  • Mixed Media & Relief
  • Shirley Temple
  • Soft Power (Compressed)
  • Sins of my Forefathers
  • Crimson Legacy
  • The Great Narcissist
  • Share A Coke
Art/CV
Exhibitions
NEWS
Press
HYPERALLERGIC
Contact Me!

TILT

2025, repurposed 1967 Gottlieb pinball machine, with video and sound. 80" X 55" X 25" in. | 203 X 140 X 64 cm

TILT: An art installation by Keith Francis titled "TILT," featuring a modified 1967 Gottlieb pinball machine. The machine is white with red legs, missing one leg so it leans precariously. It features a shattered mirror backglass with the word "DEMOCRACY," an "Out of Order" sign, and a video screen displaying black-and-white footage of protestors.

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Game Over (the only winning move is not to play)
2020, repurposed 1968 Gottlieb pinball machine, 70" X 56" X 29" in | 178 X 142 X 74 cm
Who's Watching Who
2015, stainless steel, plastic and internal electronics, 28 X 24 X 24 in.
Subtleties of Indoctrination III
37" X 25" X 21", Antique wooden television with LCD screen, black + white video.
The New Religion
2024, LED electronics, computer processor, wood, velvet, brass; 25" X 16" X 3.25".
Made in China
2023, 34" X 60", 100% Cotton
Childhood Cowboys
2022, wood, enamel, LCD screen, video and antique child’s wagon, 60 X 60 X 30 in.
The Weights of Choice
2024, Plaster and Epoxy, 4" X 6" X 4" each (comprising 7 individual elements)
Violation
2020, repurposed parking meter, aluminum pole, stainless steel base. 54 X 10 X 10 in.
When I Grow Up...
2015, old steel plates, wood, fiberglass, enamel and latex balloons, 61 X 96 X 15 in., 175 lbs.
A Cautionary Tale
2021, old steel plates, LED backlit monitor with video, wood, enamel, exterior light. 68 X 97 X 10 in.
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