Keith M. Francis
“Press Kit”
American Beauty
  • Installations & Conceptual Works
  • The Unspoken Veil
  • UNTITLED, MELTING
  • UNTITLED
  • The Relative Ground
  • Welcome!
  • White Fence
  • Border Nation
  • Greed! (Illuminating Apathy)
  • Exploitation
  • Let’s Vote
  • Sculpture & Assemblage
  • When I Grow Up...
  • Time?
  • The Weights of Choice
  • TILT
  • Game Over (the only winning move is not to play)
  • Enough is Enough
  • The Omniscient Frame
  • Greenspace
  • Subtleties of Indoctrination III
  • Bibi’s Gambit
  • Violation
  • We Reap What We Sow
  • What If? (Confronting the Abyss)
  • The Gamble of Governance
  • Who's Watching Who
  • The New Religion
  • Democracy: It’s a Game
  • Childhood Cowboys
  • Made in China
  • Caste #2
  • A Cautionary Tale
  • JUCHE
  • Us and Them
  • Public Art & Commissions
  • Mother Nature: The Common Thread
  • The Common Thread
  • #146
  • LoveLocks
  • Glittering Patterns
  • #401
  • White Fence
  • Ole Miss: University of Mississippi
  • The Firefighters
  • Mixed Media & Relief
  • Shirley Temple
  • Soft Power (Compressed)
  • Sins of my Forefathers
  • Crimson Legacy
  • The Great Narcissist
  • Share A Coke
Art/CV
Exhibitions
NEWS
Press
HYPERALLERGIC
Contact Me!
Keith Francis
Keith M. Francis
“Press Kit”
American Beauty
  • Installations & Conceptual Works
  • The Unspoken Veil
  • UNTITLED, MELTING
  • UNTITLED
  • The Relative Ground
  • Welcome!
  • White Fence
  • Border Nation
  • Greed! (Illuminating Apathy)
  • Exploitation
  • Let’s Vote
  • Sculpture & Assemblage
  • When I Grow Up...
  • Time?
  • The Weights of Choice
  • TILT
  • Game Over (the only winning move is not to play)
  • Enough is Enough
  • The Omniscient Frame
  • Greenspace
  • Subtleties of Indoctrination III
  • Bibi’s Gambit
  • Violation
  • We Reap What We Sow
  • What If? (Confronting the Abyss)
  • The Gamble of Governance
  • Who's Watching Who
  • The New Religion
  • Democracy: It’s a Game
  • Childhood Cowboys
  • Made in China
  • Caste #2
  • A Cautionary Tale
  • JUCHE
  • Us and Them
  • Public Art & Commissions
  • Mother Nature: The Common Thread
  • The Common Thread
  • #146
  • LoveLocks
  • Glittering Patterns
  • #401
  • White Fence
  • Ole Miss: University of Mississippi
  • The Firefighters
  • Mixed Media & Relief
  • Shirley Temple
  • Soft Power (Compressed)
  • Sins of my Forefathers
  • Crimson Legacy
  • The Great Narcissist
  • Share A Coke
Art/CV
Exhibitions
NEWS
Press
HYPERALLERGIC
Contact Me!

Exploitation

2017, (6) Mason Jars with enclosed archival black and white photographs. 6" X 4.25" X 4.25" in (each) | 15.24 X 10.8 X 10.8 cm (each)

Viterbo University Art Museum, La Crosse, Wisconsin
Exploitation" (2017) by Keith Francis. An installation of six glass Mason jars with metal flip-top lids, arranged in two rows. Inside each jar is a black-and-white archival photograph of an individual held in forced labor. Text on the labels reveals their names, exploitative histories, and specific owners, bridging historical and modern slavery. The sculpture is part of the permanent collection at Viterbo University Art Museum.

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The Relative Ground
Solar-powered industrial traffic trailer, custom programmed LED matrix, municipal hardware Sited at LexArt for the 250th Anniversary of the American Revolution
Welcome!
2016, silk screen on nylon/cotton fabric, hand sewn, 45 X 66 in.
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The Unspoken Veil
36" H × 48" W × 5" D (Installed flush into drywall) Materials: Synthetic form elements, white jersey knit spandex, 5/8" polyisocyanurate backer board, lightweight all-purpose joint compound, wall paint.
Let’s Vote
2014, wood, PVC panel and custom electronics, 17 X 17 X 3 in. (each box)
Border Nation
2020, LED/Neon, 5 X 64 X 1 in.
White Fence
2020, wood and aluminum base, 100 X 108 X 72 in.
UNTITLED
9' x 6' x 6' Chain-link fencing, stainless steel tubing, barbed wire. Activated by intermittent, unannounced live participants.
Greed! (Illuminating Apathy)
2023, Found object, LED, 25" X 80" X 5".
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