Keith M. Francis
American Beauty
  • Durational Performance & Site-Specific Installations
  • UNTITLED
  • The Relative Ground
  • Welcome!
  • White Fence
  • Border Nation
  • Greed! (Illuminating Apathy)
  • Exploitation
  • Let’s Vote
  • Kinetic & Repurposed Objects
  • TILT
  • The Weights of Choice
  • Democracy: It’s a Game
  • Bibi’s Gambit
  • The Omniscient Frame
  • The Mute Oracle
  • Greenspace
  • Subtleties of Indoctrination III
  • Enough is Enough
  • Game Over (the only winning move is not to play)
  • Violation
  • When I Grow Up...
  • The Gamble of Governance
  • What If? (Confronting the Abyss)
  • Time?
  • A Cautionary Tale
  • We Reap What We Sow
  • Us and Them
  • Who's Watching Who
  • The New Religion
  • Childhood Cowboys
  • Subtleties of Indoctrination
  • Made in China
  • Caste #2
  • JUCHE
  • Public Art & Civic Monuments
  • The Common Thread
  • #146
  • LoveLocks
  • 2004 Democratic National Convention
  • Glittering Patterns
  • Redmond Airport
  • #401
  • White Fence
  • Depletion
  • Leonard P. Zakim Bunker Hill Poster
  • The Firefighters
  • Social Print & Mixed Media
  • Sins of my Forefathers
  • Crimson Legacy
  • Share A Coke
  • The Great Narcissist
  • UForge Gallery Exhibition Poster
  • The Invasion
Art/CV
Exhibitions
NEWS
Press
Contact Me!
Keith Francis
Keith M. Francis
American Beauty
  • Durational Performance & Site-Specific Installations
  • UNTITLED
  • The Relative Ground
  • Welcome!
  • White Fence
  • Border Nation
  • Greed! (Illuminating Apathy)
  • Exploitation
  • Let’s Vote
  • Kinetic & Repurposed Objects
  • TILT
  • The Weights of Choice
  • Democracy: It’s a Game
  • Bibi’s Gambit
  • The Omniscient Frame
  • The Mute Oracle
  • Greenspace
  • Subtleties of Indoctrination III
  • Enough is Enough
  • Game Over (the only winning move is not to play)
  • Violation
  • When I Grow Up...
  • The Gamble of Governance
  • What If? (Confronting the Abyss)
  • Time?
  • A Cautionary Tale
  • We Reap What We Sow
  • Us and Them
  • Who's Watching Who
  • The New Religion
  • Childhood Cowboys
  • Subtleties of Indoctrination
  • Made in China
  • Caste #2
  • JUCHE
  • Public Art & Civic Monuments
  • The Common Thread
  • #146
  • LoveLocks
  • 2004 Democratic National Convention
  • Glittering Patterns
  • Redmond Airport
  • #401
  • White Fence
  • Depletion
  • Leonard P. Zakim Bunker Hill Poster
  • The Firefighters
  • Social Print & Mixed Media
  • Sins of my Forefathers
  • Crimson Legacy
  • Share A Coke
  • The Great Narcissist
  • UForge Gallery Exhibition Poster
  • The Invasion
Art/CV
Exhibitions
NEWS
Press
Contact Me!

The Weights of Choice

2024, Plaster and Epoxy, 4" X 6" X 4" each (comprising 7 individual elements)

A sculpture from the "Weights of Choice" series by Keith Francis (2024), rendered in plaster and epoxy. The piece, emerging from a neutral, light-grey void background, is a lifelike white plaster casting of two adult hands joined together. The hands form a perfect, cupped bowl, fingers slightly curved.  Resting in the center of the cupped palms is a large, matte-finish crimson red apple. The apple is positioned so the recessed stem area is visible at the top. The sculpture uses the Select-Color technique, where the hands are monochromatic white and grey, and the apple is the only saturated color element. It is one of seven works in the series, standing alongside bullet, key, compass, chain, steel ball, and dice sculptures to conceptualize human agency and the weight of moral choice.
A sculpture from the "Weights of Choice" series by Keith Francis (2024), rendered in plaster and epoxy. The piece, emerging from a neutral, light-grey void background, is a lifelike white plaster casting of two adult hands joined together. The hands form a perfect, cupped bowl, fingers slightly curved.  Resting in the center of the cupped palms is a large, matte-finish crimson red apple. The apple is positioned so the recessed stem area is visible at the top. The sculpture uses the Select-Color technique, where the hands are monochromatic white and grey, and the apple is the only saturated color element. It is one of seven works in the series, standing alongside bullet, key, compass, chain, steel ball, and dice sculptures to conceptualize human agency and the weight of moral choice.
A sculpture from the "Weights of Choice" series by Keith Francis (2024), rendered in plaster and epoxy. The piece, emerging from a neutral, light-grey void background, is a lifelike white plaster casting of two adult hands joined together. The hands form a perfect, cupped bowl, fingers slightly curved.  Resting in the center of the cupped palms is a large, matte-finish crimson red apple. The apple is positioned so the recessed stem area is visible at the top. The sculpture uses the Select-Color technique, where the hands are monochromatic white and grey, and the apple is the only saturated color element. It is one of seven works in the series, standing alongside bullet, key, compass, chain, steel ball, and dice sculptures to conceptualize human agency and the weight of moral choice.
A sculpture from the "Weights of Choice" series by Keith Francis (2024), rendered in plaster and epoxy. The piece, emerging from a neutral, light-grey void background, is a lifelike white plaster casting of two adult hands joined together. The hands form a perfect, cupped bowl, fingers slightly curved.  Resting in the center of the cupped palms is a large, matte-finish crimson red apple. The apple is positioned so the recessed stem area is visible at the top. The sculpture uses the Select-Color technique, where the hands are monochromatic white and grey, and the apple is the only saturated color element. It is one of seven works in the series, standing alongside bullet, key, compass, chain, steel ball, and dice sculptures to conceptualize human agency and the weight of moral choice.
A sculpture from the "Weights of Choice" series by Keith Francis (2024), rendered in plaster and epoxy. The piece, emerging from a neutral, light-grey void background, is a lifelike white plaster casting of two adult hands joined together. The hands form a perfect, cupped bowl, fingers slightly curved.  Resting in the center of the cupped palms is a large, matte-finish crimson red apple. The apple is positioned so the recessed stem area is visible at the top. The sculpture uses the Select-Color technique, where the hands are monochromatic white and grey, and the apple is the only saturated color element. It is one of seven works in the series, standing alongside bullet, key, compass, chain, steel ball, and dice sculptures to conceptualize human agency and the weight of moral choice.
A sculpture from the "Weights of Choice" series by Keith Francis (2024), rendered in plaster and epoxy. The piece, emerging from a neutral, light-grey void background, is a lifelike white plaster casting of two adult hands joined together. The hands form a perfect, cupped bowl, fingers slightly curved.  Resting in the center of the cupped palms is a large, matte-finish crimson red apple. The apple is positioned so the recessed stem area is visible at the top. The sculpture uses the Select-Color technique, where the hands are monochromatic white and grey, and the apple is the only saturated color element. It is one of seven works in the series, standing alongside bullet, key, compass, chain, steel ball, and dice sculptures to conceptualize human agency and the weight of moral choice.
A sculpture from the "Weights of Choice" series by Keith Francis (2024), rendered in plaster and epoxy. The piece, emerging from a neutral, light-grey void background, is a lifelike white plaster casting of two adult hands joined together. The hands form a perfect, cupped bowl, fingers slightly curved.  Resting in the center of the cupped palms is a large, matte-finish crimson red apple. The apple is positioned so the recessed stem area is visible at the top. The sculpture uses the Select-Color technique, where the hands are monochromatic white and grey, and the apple is the only saturated color element. It is one of seven works in the series, standing alongside bullet, key, compass, chain, steel ball, and dice sculptures to conceptualize human agency and the weight of moral choice.

You may also like

Violation
2020, repurposed parking meter, aluminum pole, stainless steel base. 54 X 10 X 10 in.
Time?
2024, Civil Defense Vintage Geiger counter, Quartz Clock; 9" X 4.5" X 3.5".
The Mute Oracle
2025, 3D-printed form, metallic paint, white paint, Antique Chinese hardwood wooden vase stand, paper fortunes. 14" X 10" X 10" in. | 36 X 25 X 25 cm
TILT
2026, repurposed 1967 Gottlieb pinball machine, with video and sound. 80" X 55" X 25" in. | 203 X 140 X 64 cm
A Cautionary Tale
2021, old steel plates, LED backlit monitor with video, wood, enamel, exterior light. 68 X 97 X 10 in.
Subtleties of Indoctrination III
37" X 25" X 21", Antique wooden television with LCD screen, black + white video.
Who's Watching Who
2015, stainless steel, plastic and internal electronics, 28 X 24 X 24 in.
JUCHE
2018, wood, rice cake, paint 9” X 9” X 1.5” in.
Us and Them
2019, repurposed 1968 Gottlieb pinball machine, 70" X 56" X 29" in | 178 X 142 X 74 cm
The Omniscient Frame
2025, antique gilded frame, wood, video LCD screen, internal electronics, 22" X 22" X 6"
↑Back to Top
Powered by Adobe Portfolio