Keith M. Francis
“Press Kit”
American Beauty
  • Durational Performance & Site-Specific Installations
  • UNTITLED
  • The Relative Ground
  • Welcome!
  • White Fence
  • Border Nation
  • Greed! (Illuminating Apathy)
  • Exploitation
  • Let’s Vote
  • Kinetic & Repurposed Objects
  • TILT
  • The Weights of Choice
  • Democracy: It’s a Game
  • Bibi’s Gambit
  • The Omniscient Frame
  • The Mute Oracle
  • Greenspace
  • Subtleties of Indoctrination III
  • Enough is Enough
  • Game Over (the only winning move is not to play)
  • Violation
  • When I Grow Up...
  • The Gamble of Governance
  • What If? (Confronting the Abyss)
  • Time?
  • A Cautionary Tale
  • We Reap What We Sow
  • Us and Them
  • Who's Watching Who
  • The New Religion
  • Childhood Cowboys
  • Subtleties of Indoctrination
  • Made in China
  • Caste #2
  • JUCHE
  • Public Art & Civic Monuments
  • The Common Thread
  • #146
  • LoveLocks
  • 2004 Democratic National Convention
  • Glittering Patterns
  • #401
  • White Fence
  • Depletion
  • Leonard P. Zakim Bunker Hill Poster
  • The Firefighters
  • Social Print & Mixed Media
  • Sins of my Forefathers
  • Crimson Legacy
  • Share A Coke
  • The Great Narcissist
  • UForge Gallery Exhibition Poster
  • The Invasion
Art/CV
Exhibitions
NEWS
Press
HYPERALLERGIC
Contact Me!
Keith Francis
Keith M. Francis
“Press Kit”
American Beauty
  • Durational Performance & Site-Specific Installations
  • UNTITLED
  • The Relative Ground
  • Welcome!
  • White Fence
  • Border Nation
  • Greed! (Illuminating Apathy)
  • Exploitation
  • Let’s Vote
  • Kinetic & Repurposed Objects
  • TILT
  • The Weights of Choice
  • Democracy: It’s a Game
  • Bibi’s Gambit
  • The Omniscient Frame
  • The Mute Oracle
  • Greenspace
  • Subtleties of Indoctrination III
  • Enough is Enough
  • Game Over (the only winning move is not to play)
  • Violation
  • When I Grow Up...
  • The Gamble of Governance
  • What If? (Confronting the Abyss)
  • Time?
  • A Cautionary Tale
  • We Reap What We Sow
  • Us and Them
  • Who's Watching Who
  • The New Religion
  • Childhood Cowboys
  • Subtleties of Indoctrination
  • Made in China
  • Caste #2
  • JUCHE
  • Public Art & Civic Monuments
  • The Common Thread
  • #146
  • LoveLocks
  • 2004 Democratic National Convention
  • Glittering Patterns
  • #401
  • White Fence
  • Depletion
  • Leonard P. Zakim Bunker Hill Poster
  • The Firefighters
  • Social Print & Mixed Media
  • Sins of my Forefathers
  • Crimson Legacy
  • Share A Coke
  • The Great Narcissist
  • UForge Gallery Exhibition Poster
  • The Invasion
Art/CV
Exhibitions
NEWS
Press
HYPERALLERGIC
Contact Me!

The Weights of Choice

2024, Plaster and Epoxy, 4" X 6" X 4" each (comprising 7 individual elements)

A sculpture from the "Weights of Choice" series by Keith Francis (2024), rendered in plaster and epoxy. The piece, emerging from a neutral, light-grey void background, is a lifelike white plaster casting of two adult hands joined together. The hands form a perfect, cupped bowl, fingers slightly curved.  Resting in the center of the cupped palms is a large, matte-finish crimson red apple. The apple is positioned so the recessed stem area is visible at the top. The sculpture uses the Select-Color technique, where the hands are monochromatic white and grey, and the apple is the only saturated color element. It is one of seven works in the series, standing alongside bullet, key, compass, chain, steel ball, and dice sculptures to conceptualize human agency and the weight of moral choice.
A sculpture from the "Weights of Choice" series by Keith Francis (2024), rendered in plaster and epoxy. The piece, emerging from a neutral, light-grey void background, is a lifelike white plaster casting of two adult hands joined together. The hands form a perfect, cupped bowl, fingers slightly curved.  Resting in the center of the cupped palms is a large, matte-finish crimson red apple. The apple is positioned so the recessed stem area is visible at the top. The sculpture uses the Select-Color technique, where the hands are monochromatic white and grey, and the apple is the only saturated color element. It is one of seven works in the series, standing alongside bullet, key, compass, chain, steel ball, and dice sculptures to conceptualize human agency and the weight of moral choice.
A sculpture from the "Weights of Choice" series by Keith Francis (2024), rendered in plaster and epoxy. The piece, emerging from a neutral, light-grey void background, is a lifelike white plaster casting of two adult hands joined together. The hands form a perfect, cupped bowl, fingers slightly curved.  Resting in the center of the cupped palms is a large, matte-finish crimson red apple. The apple is positioned so the recessed stem area is visible at the top. The sculpture uses the Select-Color technique, where the hands are monochromatic white and grey, and the apple is the only saturated color element. It is one of seven works in the series, standing alongside bullet, key, compass, chain, steel ball, and dice sculptures to conceptualize human agency and the weight of moral choice.
A sculpture from the "Weights of Choice" series by Keith Francis (2024), rendered in plaster and epoxy. The piece, emerging from a neutral, light-grey void background, is a lifelike white plaster casting of two adult hands joined together. The hands form a perfect, cupped bowl, fingers slightly curved.  Resting in the center of the cupped palms is a large, matte-finish crimson red apple. The apple is positioned so the recessed stem area is visible at the top. The sculpture uses the Select-Color technique, where the hands are monochromatic white and grey, and the apple is the only saturated color element. It is one of seven works in the series, standing alongside bullet, key, compass, chain, steel ball, and dice sculptures to conceptualize human agency and the weight of moral choice.
A sculpture from the "Weights of Choice" series by Keith Francis (2024), rendered in plaster and epoxy. The piece, emerging from a neutral, light-grey void background, is a lifelike white plaster casting of two adult hands joined together. The hands form a perfect, cupped bowl, fingers slightly curved.  Resting in the center of the cupped palms is a large, matte-finish crimson red apple. The apple is positioned so the recessed stem area is visible at the top. The sculpture uses the Select-Color technique, where the hands are monochromatic white and grey, and the apple is the only saturated color element. It is one of seven works in the series, standing alongside bullet, key, compass, chain, steel ball, and dice sculptures to conceptualize human agency and the weight of moral choice.
A sculpture from the "Weights of Choice" series by Keith Francis (2024), rendered in plaster and epoxy. The piece, emerging from a neutral, light-grey void background, is a lifelike white plaster casting of two adult hands joined together. The hands form a perfect, cupped bowl, fingers slightly curved.  Resting in the center of the cupped palms is a large, matte-finish crimson red apple. The apple is positioned so the recessed stem area is visible at the top. The sculpture uses the Select-Color technique, where the hands are monochromatic white and grey, and the apple is the only saturated color element. It is one of seven works in the series, standing alongside bullet, key, compass, chain, steel ball, and dice sculptures to conceptualize human agency and the weight of moral choice.
A sculpture from the "Weights of Choice" series by Keith Francis (2024), rendered in plaster and epoxy. The piece, emerging from a neutral, light-grey void background, is a lifelike white plaster casting of two adult hands joined together. The hands form a perfect, cupped bowl, fingers slightly curved.  Resting in the center of the cupped palms is a large, matte-finish crimson red apple. The apple is positioned so the recessed stem area is visible at the top. The sculpture uses the Select-Color technique, where the hands are monochromatic white and grey, and the apple is the only saturated color element. It is one of seven works in the series, standing alongside bullet, key, compass, chain, steel ball, and dice sculptures to conceptualize human agency and the weight of moral choice.

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Bibi’s Gambit
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2024, wood and latex paint, 6.5" X 22.5" X 5" in (each). Overall display 54" tall x 22.5" width.
Subtleties of Indoctrination III
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The New Religion
2024, LED electronics, computer processor, wood, velvet, brass; 25" X 16" X 3.25".
Childhood Cowboys
2022, wood, enamel, LCD screen, video and antique child’s wagon, 60 X 60 X 30 in.
Enough is Enough
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A Cautionary Tale
2021, old steel plates, LED backlit monitor with video, wood, enamel, exterior light. 68 X 97 X 10 in.
Greenspace
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Us and Them
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Violation
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