Keith M. Francis
“Press Kit”
American Beauty
  • Durational Performance & Site-Specific Installations
  • UNTITLED, MELTING.
  • UNTITLED
  • The Relative Ground
  • Welcome!
  • White Fence
  • Border Nation
  • Greed! (Illuminating Apathy)
  • Exploitation
  • Let’s Vote
  • Kinetic & Repurposed Objects
  • Time?
  • The Weights of Choice
  • TILT
  • Democracy: It’s a Game
  • Bibi’s Gambit
  • The Omniscient Frame
  • The Mute Oracle
  • Greenspace
  • Subtleties of Indoctrination III
  • Enough is Enough
  • Game Over (the only winning move is not to play)
  • Violation
  • When I Grow Up...
  • We Reap What We Sow
  • What If? (Confronting the Abyss)
  • Who's Watching Who
  • Us and Them
  • The New Religion
  • Childhood Cowboys
  • Subtleties of Indoctrination
  • Made in China
  • The Gamble of Governance
  • Caste #2
  • A Cautionary Tale
  • JUCHE
  • Public Art & Civic Monuments
  • The Common Thread
  • #146
  • LoveLocks
  • 2004 Democratic National Convention
  • Glittering Patterns
  • #401
  • White Fence
  • Depletion
  • Leonard P. Zakim Bunker Hill Poster
  • The Firefighters
  • Social Print & Mixed Media
  • Soft Power (Compressed)
  • Sins of my Forefathers
  • Crimson Legacy
  • UForge Gallery Exhibition Poster
  • The Great Narcissist
  • Share A Coke
  • The Invasion
Art/CV
Exhibitions
NEWS
Press
HYPERALLERGIC
Contact Me!
Keith Francis
Keith M. Francis
“Press Kit”
American Beauty
  • Durational Performance & Site-Specific Installations
  • UNTITLED, MELTING.
  • UNTITLED
  • The Relative Ground
  • Welcome!
  • White Fence
  • Border Nation
  • Greed! (Illuminating Apathy)
  • Exploitation
  • Let’s Vote
  • Kinetic & Repurposed Objects
  • Time?
  • The Weights of Choice
  • TILT
  • Democracy: It’s a Game
  • Bibi’s Gambit
  • The Omniscient Frame
  • The Mute Oracle
  • Greenspace
  • Subtleties of Indoctrination III
  • Enough is Enough
  • Game Over (the only winning move is not to play)
  • Violation
  • When I Grow Up...
  • We Reap What We Sow
  • What If? (Confronting the Abyss)
  • Who's Watching Who
  • Us and Them
  • The New Religion
  • Childhood Cowboys
  • Subtleties of Indoctrination
  • Made in China
  • The Gamble of Governance
  • Caste #2
  • A Cautionary Tale
  • JUCHE
  • Public Art & Civic Monuments
  • The Common Thread
  • #146
  • LoveLocks
  • 2004 Democratic National Convention
  • Glittering Patterns
  • #401
  • White Fence
  • Depletion
  • Leonard P. Zakim Bunker Hill Poster
  • The Firefighters
  • Social Print & Mixed Media
  • Soft Power (Compressed)
  • Sins of my Forefathers
  • Crimson Legacy
  • UForge Gallery Exhibition Poster
  • The Great Narcissist
  • Share A Coke
  • The Invasion
Art/CV
Exhibitions
NEWS
Press
HYPERALLERGIC
Contact Me!

Subtleties of Indoctrination

2021, high resolution screen, video, antique metal toy gun, wood, 14 X 16.5 in.

“Subtleties of Indoctrination,” 2021, by Keith Francis. This installation consists of an antique metal toy gun—the "Cosmic Ray Gun"—physically glued to a high-resolution LCD screen housed in a traditional gold frame. The screen plays a looped, black-and-white version of the 1953 cartoon Duck Dodgers in the 24½ Century. The work explores the juxtaposition of childhood nostalgia and the subtle ways violent narratives are introduced through popular media.
“Subtleties of Indoctrination,” 2021, by Keith Francis. This installation consists of an antique metal toy gun—the "Cosmic Ray Gun"—physically glued to a high-resolution LCD screen housed in a traditional gold frame. The screen plays a looped, black-and-white version of the 1953 cartoon Duck Dodgers in the 24½ Century. The work explores the juxtaposition of childhood nostalgia and the subtle ways violent narratives are introduced through popular media.
“Subtleties of Indoctrination,” 2021, by Keith Francis. This installation consists of an antique metal toy gun—the "Cosmic Ray Gun"—physically glued to a high-resolution LCD screen housed in a traditional gold frame. The screen plays a looped, black-and-white version of the 1953 cartoon Duck Dodgers in the 24½ Century. The work explores the juxtaposition of childhood nostalgia and the subtle ways violent narratives are introduced through popular media.

You may also like

Violation
2020, repurposed parking meter, aluminum pole, stainless steel base. 54 X 10 X 10 in.
The Gamble of Governance
2024, repurposed slot machine, with custom internal blinking LED lights, 20" X 12" X 10"
The New Religion
2024, LED electronics, computer processor, wood, velvet, brass; 25" X 16" X 3.25".
Democracy: It’s a Game
2018, repurposed 1969 Gottlieb pinball machine, wood, graphics, glass and electronics. 60" X 56" X 29" in | 178 X 142 X 74 cm
The Weights of Choice
2024, Plaster and Epoxy, 4" X 6" X 4" each (comprising 7 individual elements)
The Mute Oracle
2025, 3D-printed form, metallic paint, white paint, Antique Chinese hardwood wooden vase stand, paper fortunes. 14" X 10" X 10" in. | 36 X 25 X 25 cm
Who's Watching Who
2015, stainless steel, plastic and internal electronics, 28 X 24 X 24 in.
Caste #2
2024, wood and latex paint, 6.5" X 22.5" X 5" in (each). Overall display 54" tall x 22.5" width.
We Reap What We Sow
2024, found object; 55" X 14.5" X 14"
What If? (Confronting the Abyss)
2023, Mixed media on steel, neon glass text, 48" X 48" X 6".
↑Back to Top
Powered by Adobe Portfolio