Keith M. Francis
“Press Kit”
American Beauty
  • Durational Performance & Site-Specific Installations
  • UNTITLED
  • The Relative Ground
  • Welcome!
  • White Fence
  • Border Nation
  • Greed! (Illuminating Apathy)
  • Exploitation
  • Let’s Vote
  • Kinetic & Repurposed Objects
  • TILT
  • The Weights of Choice
  • Democracy: It’s a Game
  • Bibi’s Gambit
  • The Omniscient Frame
  • The Mute Oracle
  • Greenspace
  • Subtleties of Indoctrination III
  • Enough is Enough
  • Game Over (the only winning move is not to play)
  • Violation
  • When I Grow Up...
  • The Gamble of Governance
  • What If? (Confronting the Abyss)
  • Time?
  • A Cautionary Tale
  • We Reap What We Sow
  • Us and Them
  • Who's Watching Who
  • The New Religion
  • Childhood Cowboys
  • Subtleties of Indoctrination
  • Made in China
  • Caste #2
  • JUCHE
  • Public Art & Civic Monuments
  • The Common Thread
  • #146
  • LoveLocks
  • 2004 Democratic National Convention
  • Glittering Patterns
  • #401
  • White Fence
  • Depletion
  • Leonard P. Zakim Bunker Hill Poster
  • The Firefighters
  • Social Print & Mixed Media
  • Sins of my Forefathers
  • Crimson Legacy
  • Share A Coke
  • The Great Narcissist
  • UForge Gallery Exhibition Poster
  • The Invasion
Art/CV
Exhibitions
NEWS
Press
HYPERALLERGIC
Contact Me!
Keith Francis
Keith M. Francis
“Press Kit”
American Beauty
  • Durational Performance & Site-Specific Installations
  • UNTITLED
  • The Relative Ground
  • Welcome!
  • White Fence
  • Border Nation
  • Greed! (Illuminating Apathy)
  • Exploitation
  • Let’s Vote
  • Kinetic & Repurposed Objects
  • TILT
  • The Weights of Choice
  • Democracy: It’s a Game
  • Bibi’s Gambit
  • The Omniscient Frame
  • The Mute Oracle
  • Greenspace
  • Subtleties of Indoctrination III
  • Enough is Enough
  • Game Over (the only winning move is not to play)
  • Violation
  • When I Grow Up...
  • The Gamble of Governance
  • What If? (Confronting the Abyss)
  • Time?
  • A Cautionary Tale
  • We Reap What We Sow
  • Us and Them
  • Who's Watching Who
  • The New Religion
  • Childhood Cowboys
  • Subtleties of Indoctrination
  • Made in China
  • Caste #2
  • JUCHE
  • Public Art & Civic Monuments
  • The Common Thread
  • #146
  • LoveLocks
  • 2004 Democratic National Convention
  • Glittering Patterns
  • #401
  • White Fence
  • Depletion
  • Leonard P. Zakim Bunker Hill Poster
  • The Firefighters
  • Social Print & Mixed Media
  • Sins of my Forefathers
  • Crimson Legacy
  • Share A Coke
  • The Great Narcissist
  • UForge Gallery Exhibition Poster
  • The Invasion
Art/CV
Exhibitions
NEWS
Press
HYPERALLERGIC
Contact Me!

Subtleties of Indoctrination

2021, high resolution screen, video, antique metal toy gun, wood, 14 X 16.5 in.

“Subtleties of Indoctrination,” 2021, by Keith Francis. This installation consists of an antique metal toy gun—the "Cosmic Ray Gun"—physically glued to a high-resolution LCD screen housed in a traditional gold frame. The screen plays a looped, black-and-white version of the 1953 cartoon Duck Dodgers in the 24½ Century. The work explores the juxtaposition of childhood nostalgia and the subtle ways violent narratives are introduced through popular media.
“Subtleties of Indoctrination,” 2021, by Keith Francis. This installation consists of an antique metal toy gun—the "Cosmic Ray Gun"—physically glued to a high-resolution LCD screen housed in a traditional gold frame. The screen plays a looped, black-and-white version of the 1953 cartoon Duck Dodgers in the 24½ Century. The work explores the juxtaposition of childhood nostalgia and the subtle ways violent narratives are introduced through popular media.
“Subtleties of Indoctrination,” 2021, by Keith Francis. This installation consists of an antique metal toy gun—the "Cosmic Ray Gun"—physically glued to a high-resolution LCD screen housed in a traditional gold frame. The screen plays a looped, black-and-white version of the 1953 cartoon Duck Dodgers in the 24½ Century. The work explores the juxtaposition of childhood nostalgia and the subtle ways violent narratives are introduced through popular media.

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Time?
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Childhood Cowboys
2022, wood, enamel, LCD screen, video and antique child’s wagon, 60 X 60 X 30 in.
TILT
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